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El discurso marginal en Venezuela: L...

Casique, Iraida.

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El discurso marginal en Venezuela: La narrativa de Renato Rodriguez como negacion de un proyecto nacional (Salvador Garmendia, Luis Britto Garcia, Adriano Gonzalez Leon, Francisco Massiani, Spanish text).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	El discurso marginal en Venezuela: La narrativa de Renato Rodriguez como negacion de un proyecto nacional (Salvador Garmendia, Luis Britto Garcia, Adriano Gonzalez Leon, Francisco Massiani, Spanish text)./
作者:	Casique, Iraida.
面頁冊數:	180 p.
附註:	Source: Dissertation Abstracts International, Volume: 64-09, Section: A, page: 3312.
Contained By:	Dissertation Abstracts International64-09A.
標題:	Literature, Latin American. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3105433

El discurso marginal en Venezuela: La narrativa de Renato Rodriguez como negacion de un proyecto nacional (Salvador Garmendia, Luis Britto Garcia, Adriano Gonzalez Leon, Francisco Massiani, Spanish text).
Casique, Iraida.

El discurso marginal en Venezuela: La narrativa de Renato Rodriguez como negacion de un proyecto nacional (Salvador Garmendia, Luis Britto Garcia, Adriano Gonzalez Leon, Francisco Massiani, Spanish text). - 180 p.

Source: Dissertation Abstracts International, Volume: 64-09, Section: A, page: 3312.

Thesis (Ph.D.)--Rutgers The State University of New Jersey - New Brunswick, 2003.

This dissertation examines certain examples of Venezuelan narrative writing, focusing on the traumatic effect that the so-called "culture of marginality" has had on Venezuelan social imaginary and the way this effect is represented in the narrative production of the last decades.Subjects--Topical Terms:

1024734
Literature, Latin American.

El discurso marginal en Venezuela: La narrativa de Renato Rodriguez como negacion de un proyecto nacional (Salvador Garmendia, Luis Britto Garcia, Adriano Gonzalez Leon, Francisco Massiani, Spanish text).
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245 1 3 $a El discurso marginal en Venezuela: La narrativa de Renato Rodriguez como negacion de un proyecto nacional (Salvador Garmendia, Luis Britto Garcia, Adriano Gonzalez Leon, Francisco Massiani, Spanish text).
300 $a 180 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-09, Section: A, page: 3312.
500 $a Director: Carlos Raul Narvaez.
502 $a Thesis (Ph.D.)--Rutgers The State University of New Jersey - New Brunswick, 2003.
520 $a This dissertation examines certain examples of Venezuelan narrative writing, focusing on the traumatic effect that the so-called "culture of marginality" has had on Venezuelan social imaginary and the way this effect is represented in the narrative production of the last decades.
520 $a The selected period, the years between the 60s and the 90s, conjoins crucial social and cultural changes in Venezuela, such as the collapse of leftist ideologies and the corruption of nominal democracies, the peak and subsequent downfall of economic wealth, and the growing impact of the media on society in general. These and other phenomena, negatively affect the social importance and function of Venezuelan intellectuals, and apparently leave no space for their work.
520 $a What I read in Venezuelan narrative production during the period considered is the devaluation, of literature, not only as a culturally valid model, but also, as a positive model of subjectivity. Such devaluation is clearly expressed in the negative national imaginary that the texts examined reproduce. The "crisis of identity" suffered by Venezuelan [literature, intellectuals, culture], which was already looming in national narratives since the beginning of the 70s, is presently evident in more concrete aspects of Venezuelan socio-political reality.
520 $a The project focuses mainly on narrative works by Renato Rodriguez, comparing them with others by more popular writers, such as Salvador Garmendia, Luis Britto Garcia, Adriano Gonzalez Leon and Francisco Massiani. My analysis is informed by theoretical debates on the representation of intellectuals within cultural productions and on the impact of marginality in social and cultural contexts. Among others, I have been Inspired by Cornelius Castoriadis' theories on human subjects and their relationship with society and culture, Angel Rama's vision of the "lettered city" and the role of intellectuals in its formation and development and Etienne Balibar's critical analysis of the national concept and its cultural and social implications.
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790 $a 0190
791 $a Ph.D.
792 $a 2003
793 $a Spanish
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