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Boom, modernism y la novela de la vi...

Zapata Ferreira, Miguel Alejandro.

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Boom, modernism y la novela de la violencia en Colombia: Voces multiples de la historia en "La Casa Grande" de Alvaro Cepeda Samudio (Spanish text).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Boom, modernism y la novela de la violencia en Colombia: Voces multiples de la historia en "La Casa Grande" de Alvaro Cepeda Samudio (Spanish text)./
作者:	Zapata Ferreira, Miguel Alejandro.
面頁冊數:	188 p.
附註:	Source: Dissertation Abstracts International, Volume: 64-07, Section: A, page: 2481.
Contained By:	Dissertation Abstracts International64-07A.
標題:	Literature, Comparative. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3097316

Boom, modernism y la novela de la violencia en Colombia: Voces multiples de la historia en "La Casa Grande" de Alvaro Cepeda Samudio (Spanish text).
Zapata Ferreira, Miguel Alejandro.

Boom, modernism y la novela de la violencia en Colombia: Voces multiples de la historia en "La Casa Grande" de Alvaro Cepeda Samudio (Spanish text). - 188 p.

Source: Dissertation Abstracts International, Volume: 64-07, Section: A, page: 2481.

Thesis (Ph.D.)--University of Arkansas, 2003.

This dissertation examines how Alvaro Cepeda Samudio's La Casa Grande (1962), considered an important precursor work of the Spanish American "boom" novel, adapts techniques derived from Anglo-European modernism as an alternative means to explore critically sensitive issues of historical truth, and to transcend narrow partisanship and dogmatism, in the politically charged historical context of the Frente Nacional governments in Colombia. It highlights the interactions between Anglo-European Modernism and the Latin American and Colombian literary-historical contexts as fertile terrain for comparative literary investigations.Subjects--Topical Terms:

530051
Literature, Comparative.

Boom, modernism y la novela de la violencia en Colombia: Voces multiples de la historia en "La Casa Grande" de Alvaro Cepeda Samudio (Spanish text).
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245 1 0 $a Boom, modernism y la novela de la violencia en Colombia: Voces multiples de la historia en "La Casa Grande" de Alvaro Cepeda Samudio (Spanish text).
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500 $a Source: Dissertation Abstracts International, Volume: 64-07, Section: A, page: 2481.
502 $a Thesis (Ph.D.)--University of Arkansas, 2003.
520 $a This dissertation examines how Alvaro Cepeda Samudio's La Casa Grande (1962), considered an important precursor work of the Spanish American "boom" novel, adapts techniques derived from Anglo-European modernism as an alternative means to explore critically sensitive issues of historical truth, and to transcend narrow partisanship and dogmatism, in the politically charged historical context of the Frente Nacional governments in Colombia. It highlights the interactions between Anglo-European Modernism and the Latin American and Colombian literary-historical contexts as fertile terrain for comparative literary investigations.
520 $a La Casa Grande takes as its backdrop the infamous "Banana Plantation Massacre" of 1928, an event that in Colombia has come to assume mythic proportions. Many critics have viewed this novel as pertaining to the cycle of novels in Colombia known as the "Novela de la Violencia." Other critics have concerned themselves primarily with the work's anticipation of techniques characteristic of the Latin American "boom." This study in effect combines and extends these two critical perspectives: it gives more detailed attention to the collage of multiple discursive perspectives that the novel orchestrates on the historical and political circumstance of violence, and it explores the intricate linkage between form and technique and the political and historical background of the novel.
520 $a La Casa Grande presents a wide array of contrasting and conflicting narrative voices and ideological positions on political violence. This multiplicity of voices in the novel has much in common with Bakhtin's notion of heteroglossia, but this study employs Slattery's concepts of dogmatism, relativism, and "multiplism" as its primary theoretical underpinning. The multiple discourses and fragmented form of the novel reflect the rivalry that exists in Colombia between official versions of the Banana Plantation Massacre, and popular versions of the events that circulate orally: just like scholars who study this phase of Colombian history, the novel's reader must confront conflicting and potentially unreliable discursive voices, and piece together diverse and disconnected narrative fragments. The novel thus postulates a more complex, multiple and relativist understanding of historical truth and political reality than the dogmatic partisanship that in recent Colombian history has often posited unilateral blame.
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