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Mechanical witness, moving testimony...

Schwartz, Louis Georges.

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Mechanical witness, moving testimony: Film and video evidence in United States courts.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Mechanical witness, moving testimony: Film and video evidence in United States courts./
作者:	Schwartz, Louis Georges.
面頁冊數:	244 p.
附註:	Source: Dissertation Abstracts International, Volume: 60-06, Section: A, page: 1805.
Contained By:	Dissertation Abstracts International60-06A.
標題:	Cinema. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoeng/servlet/advanced?query=9933418
ISBN:	0599341475

Mechanical witness, moving testimony: Film and video evidence in United States courts.
Schwartz, Louis Georges.

Mechanical witness, moving testimony: Film and video evidence in United States courts. - 244 p.

Source: Dissertation Abstracts International, Volume: 60-06, Section: A, page: 1805.

Thesis (Ph.D.)--The University of Iowa, 1999.

This dissertation examines the courts' protocols for authenticating and interpreting the image. While those protocols are related to motion picture practices outside of the legal institution, they are not identical to them. Rather than assimilating pre-existing elements of visual culture, the courts reframe the moving image for their own purposes. This dissertation describes the development of protocols for the admission of evidentiary films and the instrumentalization of such films. The relationship between moving image and truth posited by the courts is also examined. The assimilation of videotape into the justice system is described. The use of video in the trial of the police officers who beat Rodney King is analyzed in terms of a problematic of motion picture testimony.

ISBN: 0599341475Subjects--Topical Terms:

854529
Cinema.

Mechanical witness, moving testimony: Film and video evidence in United States courts.
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500 $a Source: Dissertation Abstracts International, Volume: 60-06, Section: A, page: 1805.
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502 $a Thesis (Ph.D.)--The University of Iowa, 1999.
520 $a This dissertation examines the courts' protocols for authenticating and interpreting the image. While those protocols are related to motion picture practices outside of the legal institution, they are not identical to them. Rather than assimilating pre-existing elements of visual culture, the courts reframe the moving image for their own purposes. This dissertation describes the development of protocols for the admission of evidentiary films and the instrumentalization of such films. The relationship between moving image and truth posited by the courts is also examined. The assimilation of videotape into the justice system is described. The use of video in the trial of the police officers who beat Rodney King is analyzed in terms of a problematic of motion picture testimony.
520 $a The use of motion picture and photographic evidence in the courts brings into focus a philosophical crisis whose effects can be felt throughout culture in the electronic age. Jurists have traditionally held that the most reliable form of evidence is the sworn testimony of a witness present in court. The introduction of photographs, films, and videotapes into the courtroom has displaced oral testimony from the summit of the evidentiary hierarchy because “seeing is believing.” This conflict between heliocentric and phonocentric models of truth has never been fully resolved in the courts. The result is that in our courts the truth of speech and the truth of vision produce a continuous mutual deconstruction.
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