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Bodies in the act of becoming: Medi...

King, LeeAnn Olivier.

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Bodies in the act of becoming: Medical discourse feminist film theory, and the carnival.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Bodies in the act of becoming: Medical discourse feminist film theory, and the carnival./
Author:	King, LeeAnn Olivier.
Description:	61 p.
Notes:	Source: Masters Abstracts International, Volume: 40-06, page: 1444.
Contained By:	Masters Abstracts International40-06.
Subject:	Women's Studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1408930
ISBN:	049363262X

Bodies in the act of becoming: Medical discourse feminist film theory, and the carnival.
King, LeeAnn Olivier.

Bodies in the act of becoming: Medical discourse feminist film theory, and the carnival. - 61 p.

Source: Masters Abstracts International, Volume: 40-06, page: 1444.

Thesis (M.A.)--The University of Texas at Arlington, 2002.

The experiences of carnivalesque bodies living and performing in the world show that the object of the gaze is not necessarily an inert, powerless being but is capable of exerting influence over spectators. In the first chapter of this paper, I question modern gynecology's insistence upon the passive body of the patient. In the second chapter, I examine the intersection between gynecology and film theory, two practices which are heavily invested in the passive site of the female body and the power of the gazer. In the final chapter, I argue that by turning more positively to carnivalesque body discourses and the lived experiences of aberrant bodies, we can discover a way to think beyond the female body as the passive, “abnormal” object of the gaze.

ISBN: 049363262XSubjects--Topical Terms:

1017481
Women's Studies.

Bodies in the act of becoming: Medical discourse feminist film theory, and the carnival.
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100 1 $a King, LeeAnn Olivier. $3 1943766
245 1 0 $a Bodies in the act of becoming: Medical discourse feminist film theory, and the carnival.
300 $a 61 p.
500 $a Source: Masters Abstracts International, Volume: 40-06, page: 1444.
500 $a Supervisor: Stacy Alaimo.
502 $a Thesis (M.A.)--The University of Texas at Arlington, 2002.
520 $a The experiences of carnivalesque bodies living and performing in the world show that the object of the gaze is not necessarily an inert, powerless being but is capable of exerting influence over spectators. In the first chapter of this paper, I question modern gynecology's insistence upon the passive body of the patient. In the second chapter, I examine the intersection between gynecology and film theory, two practices which are heavily invested in the passive site of the female body and the power of the gazer. In the final chapter, I argue that by turning more positively to carnivalesque body discourses and the lived experiences of aberrant bodies, we can discover a way to think beyond the female body as the passive, “abnormal” object of the gaze.
590 $a School code: 2502.
650 4 $a Women's Studies. $3 1017481
650 4 $a Health Sciences, Obstetrics and Gynecology. $3 1020690
650 4 $a Cinema. $3 854529
690 $a 0453
690 $a 0380
690 $a 0900
710 2 0 $a The University of Texas at Arlington. $3 1025869
773 0 $t Masters Abstracts International $g 40-06.
790 1 0 $a Alaimo, Stacy, $e advisor
790 $a 2502
791 $a M.A.
792 $a 2002
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1408930