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Theatre of the Absurd and its influe...
~
Kittrell, Christopher Wayne.
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Theatre of the Absurd and its influence on the lighting design for "Princess Ivona" (Witold Gombrowicz).
Record Type:
Electronic resources : Monograph/item
Title/Author:
Theatre of the Absurd and its influence on the lighting design for "Princess Ivona" (Witold Gombrowicz)./
Author:
Kittrell, Christopher Wayne.
Description:
33 p.
Notes:
Source: Masters Abstracts International, Volume: 42-02, page: 0364.
Contained By:
Masters Abstracts International42-02.
Subject:
Theater. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1416449
Theatre of the Absurd and its influence on the lighting design for "Princess Ivona" (Witold Gombrowicz).
Kittrell, Christopher Wayne.
Theatre of the Absurd and its influence on the lighting design for "Princess Ivona" (Witold Gombrowicz).
- 33 p.
Source: Masters Abstracts International, Volume: 42-02, page: 0364.
Thesis (M.F.A.)--California State University, Long Beach, 2003.
Although Gombrowicz's play <italic>Princess Ivona</italic> predates the Theatre of the Absurd by almost twenty years, the work shows itself to be an important precursor to the movement. The California Repertory Company's production strove to reveal the Absurd qualities of the piece and in doing so required a lighting aesthetic rooted in the tenets of the Theatre of the Absurd and its expression in color theory. The lighting design utilized an evocative saturated color palette based on the psychological and symbolic theories of color formulated by Wassily Kandinsky and Max Keller to awaken the underlying essence of absurdism in the text.Subjects--Topical Terms:
522973
Theater.
Theatre of the Absurd and its influence on the lighting design for "Princess Ivona" (Witold Gombrowicz).
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Source: Masters Abstracts International, Volume: 42-02, page: 0364.
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Thesis (M.F.A.)--California State University, Long Beach, 2003.
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Although Gombrowicz's play <italic>Princess Ivona</italic> predates the Theatre of the Absurd by almost twenty years, the work shows itself to be an important precursor to the movement. The California Repertory Company's production strove to reveal the Absurd qualities of the piece and in doing so required a lighting aesthetic rooted in the tenets of the Theatre of the Absurd and its expression in color theory. The lighting design utilized an evocative saturated color palette based on the psychological and symbolic theories of color formulated by Wassily Kandinsky and Max Keller to awaken the underlying essence of absurdism in the text.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1416449
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