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Sami artistry, identity, and indigen...

Scheffy, Zoe-hateehc Durrah.

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Sami artistry, identity, and indigenism in museums and markets (Helge Sunna, Lars Pirak, Thomas Magnusson, Sara Walkeapaa Olsson, Lisbeth Kielatis, Sweden).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Sami artistry, identity, and indigenism in museums and markets (Helge Sunna, Lars Pirak, Thomas Magnusson, Sara Walkeapaa Olsson, Lisbeth Kielatis, Sweden)./
作者:	Scheffy, Zoe-hateehc Durrah.
面頁冊數:	333 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-05, Section: A, page: 1903.
Contained By:	Dissertation Abstracts International66-05A.
標題:	Folklore. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3177636
ISBN:	0542171287

Sami artistry, identity, and indigenism in museums and markets (Helge Sunna, Lars Pirak, Thomas Magnusson, Sara Walkeapaa Olsson, Lisbeth Kielatis, Sweden).
Scheffy, Zoe-hateehc Durrah.

Sami artistry, identity, and indigenism in museums and markets (Helge Sunna, Lars Pirak, Thomas Magnusson, Sara Walkeapaa Olsson, Lisbeth Kielatis, Sweden). - 333 p.

Source: Dissertation Abstracts International, Volume: 66-05, Section: A, page: 1903.

Thesis (Ph.D.)--Indiana University, 2005.

This dissertation is an ethnographic study of the display of Sami handicraft in Sweden and the roles that museum personnel and handicraft artists are playing in the modern construction of Sami ethnicity, gender, identity, and nationhood. Through analysis of displays and drawing upon interviews and conversational walk-throughs in museums, open-air markets, tourist shops, and artists' homes and studios, my discussion highlights the cultural, economic, political, and artistic issues that both institutions and individuals are choosing to interpret and present, and the ways that handicraft artists are enriching the narratives created by the displays by asserting individual expressions and interpretations of ethnicity and becoming public voices for the Sami nation.

ISBN: 0542171287Subjects--Topical Terms:

528224
Folklore.

Sami artistry, identity, and indigenism in museums and markets (Helge Sunna, Lars Pirak, Thomas Magnusson, Sara Walkeapaa Olsson, Lisbeth Kielatis, Sweden).
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245 1 0 $a Sami artistry, identity, and indigenism in museums and markets (Helge Sunna, Lars Pirak, Thomas Magnusson, Sara Walkeapaa Olsson, Lisbeth Kielatis, Sweden).
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500 $a Source: Dissertation Abstracts International, Volume: 66-05, Section: A, page: 1903.
500 $a Adviser: Henry Glassie.
502 $a Thesis (Ph.D.)--Indiana University, 2005.
520 $a This dissertation is an ethnographic study of the display of Sami handicraft in Sweden and the roles that museum personnel and handicraft artists are playing in the modern construction of Sami ethnicity, gender, identity, and nationhood. Through analysis of displays and drawing upon interviews and conversational walk-throughs in museums, open-air markets, tourist shops, and artists' homes and studios, my discussion highlights the cultural, economic, political, and artistic issues that both institutions and individuals are choosing to interpret and present, and the ways that handicraft artists are enriching the narratives created by the displays by asserting individual expressions and interpretations of ethnicity and becoming public voices for the Sami nation.
520 $a The dissertation familiarizes the reader with Sami culture and explores the colonialist, post-colonialist, indigenous, and Nordic discourses at work within the exhibition of Sami culture. I approach handicraft as a creative process that draws on heritage and ethnicity, community, gender, and inspiration, and I then consider the act of representation as a dialogic action within museums and tourism.
520 $a The heart of the dissertation features five Sami individuals working within Sweden: three men---Helge Sunna, Lars Pirak, and Thomas Magnusson---and two women---Sara Walkeapaa Olsson and Lisbeth Kielatis. I present their unique stories, perspectives on handicraft, aesthetic sensibilities, and bodies of work offered through their own thoughts and words and illustrated through their art. These artists are featured in exhibits at the Nordic Museum (Nordiska museet) in Stockholm, Ajtte - Swedish Mountain and Sami Museum (Ajtte - Svenskt fjall- och samemuseum ) in Jokkmokk, the National Museum of Ethnography (Folkens museum ethnografiska) in Stockholm, and the Silver Museum ( Silvermuseet) in Arjeplog, as well as the Jokkmokk Winter Market. Each artist represents a different voice in the context of display. Taken together, they demonstrate the potential that diverse representations have for the narration of Sami identity and culture in public spaces.
520 $a The discussion of Sami artistry and exhibition adds new perspectives within the discourses of ethnicity, nationalism, indigenism, and tourism, highlighting the centrality of creativity, tradition, and innovation within the construction of personal and group identity, and privileging indigenous perspectives and agency in the public sphere.
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