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Gospel piano improvisation: From ra...

Carlton, Janice Mae Armstrong.

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Gospel piano improvisation: From ragtime roots to contemporary church piano.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Gospel piano improvisation: From ragtime roots to contemporary church piano./
作者:	Carlton, Janice Mae Armstrong.
面頁冊數:	108 p.
附註:	Source: Masters Abstracts International, Volume: 42-06, page: 1950.
Contained By:	Masters Abstracts International42-06.
標題:	Education, Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1420459
ISBN:	0496252089

Gospel piano improvisation: From ragtime roots to contemporary church piano.
Carlton, Janice Mae Armstrong.

Gospel piano improvisation: From ragtime roots to contemporary church piano. - 108 p.

Source: Masters Abstracts International, Volume: 42-06, page: 1950.

Thesis (M.A.)--San Jose State University, 2004.

This thesis chronicles the roots and evolution of gospel piano improvisation, notes secular influences in the past hundred years, and highlights prominent pianists from specific eras such as ragtime, stride and novelty piano, blues, African-American gospel blues, and white gospel music. These pianists include mostly African-American artists such as Scott Joplin, Jelly Roll Morton, W. C. Handy, Thomas A. Dorsey, Arizona Dranes, and Roberta Martin, with a brief glimpse of white gospel artists such as Robert Harkness and Ira Sankey.

ISBN: 0496252089Subjects--Topical Terms:

1017808
Education, Music.

Gospel piano improvisation: From ragtime roots to contemporary church piano.
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245 1 0 $a Gospel piano improvisation: From ragtime roots to contemporary church piano.
300 $a 108 p.
500 $a Source: Masters Abstracts International, Volume: 42-06, page: 1950.
500 $a Adviser: William Meredith.
502 $a Thesis (M.A.)--San Jose State University, 2004.
520 $a This thesis chronicles the roots and evolution of gospel piano improvisation, notes secular influences in the past hundred years, and highlights prominent pianists from specific eras such as ragtime, stride and novelty piano, blues, African-American gospel blues, and white gospel music. These pianists include mostly African-American artists such as Scott Joplin, Jelly Roll Morton, W. C. Handy, Thomas A. Dorsey, Arizona Dranes, and Roberta Martin, with a brief glimpse of white gospel artists such as Robert Harkness and Ira Sankey.
520 $a The thesis also includes a brief history of the above pianists' careers, an analysis of their individual improvisation styles, and a look at their influence on contemporary church pianists. The final chapter examines the styles and techniques of thirteen current Assemblies of God church pianists, and compares them to secular influences that were predominant when they started improvising.
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