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The Hispanic image reflected in post...

James, Monique.

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The Hispanic image reflected in post-war Texas films: From Jennifer Jones to Jennifer Lopez.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Hispanic image reflected in post-war Texas films: From Jennifer Jones to Jennifer Lopez./
Author:	James, Monique.
Description:	184 p.
Notes:	Source: Masters Abstracts International, Volume: 42-05, page: 1537.
Contained By:	Masters Abstracts International42-05.
Subject:	History, United States. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1418675
ISBN:	049623448X

The Hispanic image reflected in post-war Texas films: From Jennifer Jones to Jennifer Lopez.
James, Monique.

The Hispanic image reflected in post-war Texas films: From Jennifer Jones to Jennifer Lopez. - 184 p.

Source: Masters Abstracts International, Volume: 42-05, page: 1537.

Thesis (M.A.)--The University of Texas - Pan American, 2004.

After a history of negative, stereotypical Hispanic film depictions, the largely positive evolution of the Hispanic film image after World War II was the result of three primary forces: America's changing social movements and beliefs, Hollywood's financial concerns, and the filmmakers' backgrounds and views. Through the analysis of post-World War II films set in Texas and the study of film reviews, filmmaker's comments, articles, and books on the subject, the thesis argues that screen Hispanics generally became more multi-dimensional, and less stereotypical as the 20th century progressed.

ISBN: 049623448XSubjects--Topical Terms:

1017393
History, United States.

The Hispanic image reflected in post-war Texas films: From Jennifer Jones to Jennifer Lopez.
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520 $a After a history of negative, stereotypical Hispanic film depictions, the largely positive evolution of the Hispanic film image after World War II was the result of three primary forces: America's changing social movements and beliefs, Hollywood's financial concerns, and the filmmakers' backgrounds and views. Through the analysis of post-World War II films set in Texas and the study of film reviews, filmmaker's comments, articles, and books on the subject, the thesis argues that screen Hispanics generally became more multi-dimensional, and less stereotypical as the 20th century progressed.
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