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The assimilation of the shishosetsu ...
~
Keaveney, Christopher T.
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The assimilation of the shishosetsu by China's Creation Society.
Record Type:
Electronic resources : Monograph/item
Title/Author:
The assimilation of the shishosetsu by China's Creation Society./
Author:
Keaveney, Christopher T.
Description:
279 p.
Notes:
Source: Dissertation Abstracts International, Volume: 61-05, Section: A, page: 1846.
Contained By:
Dissertation Abstracts International61-05A.
Subject:
Literature, Asian. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9972674
ISBN:
0599779845
The assimilation of the shishosetsu by China's Creation Society.
Keaveney, Christopher T.
The assimilation of the shishosetsu by China's Creation Society.
- 279 p.
Source: Dissertation Abstracts International, Volume: 61-05, Section: A, page: 1846.
Thesis (Ph.D.)--Washington University, 2000.
The purpose of my research is to examine the manner in which the self-referential fiction of the Chinese literary coterie known as the Creation Society reflects their reading and adaptation of the Japanese shishosetsu, a form which flourished during the Taisho Period (1912--1926). The Creation Society occupied a position of considerable influence in May Fourth literature and was responsible in part for establishing the fashion for the confessional in Chinese literature in the 1920s.
ISBN: 0599779845Subjects--Topical Terms:
1017599
Literature, Asian.
The assimilation of the shishosetsu by China's Creation Society.
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279 p.
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Source: Dissertation Abstracts International, Volume: 61-05, Section: A, page: 1846.
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Chairperson: Marvin Marcus.
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Thesis (Ph.D.)--Washington University, 2000.
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The purpose of my research is to examine the manner in which the self-referential fiction of the Chinese literary coterie known as the Creation Society reflects their reading and adaptation of the Japanese shishosetsu, a form which flourished during the Taisho Period (1912--1926). The Creation Society occupied a position of considerable influence in May Fourth literature and was responsible in part for establishing the fashion for the confessional in Chinese literature in the 1920s.
520
$a
My dissertation will first delineate the salient features of both the shishosetsu, and the ostensibly autobiographical fiction of the Creation Society. I will then consider the Creation Society's self-referential fiction in the context of the popularity of the personal narrative and the general tendency toward confessionality among Chinese writers of the May Fourth period. I will also locate precedents in traditional Chinese fiction for explicitly confessional literature.
520
$a
Moreover, my dissertation will also pursue theoretical questions pertaining to autobiographical writing and the ways in which both the shishosetsu , and the Creation Society's fiction were perceived to function as autobiography by contemporary readers. Specifically, I will examine the dependency of such narratives on the faith in the authenticity of this approach among a small literary community who constituted a complicit, participatory audience of "insiders."
520
$a
In conclusion, I will examine the legacy of the shishosetsu in Chinese fiction: its role in promoting the confessional nature of Chinese fiction during the 1920s and, despite a gradual loss of prestige in the Chinese literary world, its continued appeal in Chinese literature in the Maoist era and its revival among China's "New Era" writers in the 1980s.
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School code: 0252.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9972674
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