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The assimilation of the shishosetsu ...

Keaveney, Christopher T.

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The assimilation of the shishosetsu by China's Creation Society.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The assimilation of the shishosetsu by China's Creation Society./
作者:	Keaveney, Christopher T.
面頁冊數:	279 p.
附註:	Source: Dissertation Abstracts International, Volume: 61-05, Section: A, page: 1846.
Contained By:	Dissertation Abstracts International61-05A.
標題:	Literature, Asian. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9972674
ISBN:	0599779845

The assimilation of the shishosetsu by China's Creation Society.
Keaveney, Christopher T.

The assimilation of the shishosetsu by China's Creation Society. - 279 p.

Source: Dissertation Abstracts International, Volume: 61-05, Section: A, page: 1846.

Thesis (Ph.D.)--Washington University, 2000.

The purpose of my research is to examine the manner in which the self-referential fiction of the Chinese literary coterie known as the Creation Society reflects their reading and adaptation of the Japanese shishosetsu, a form which flourished during the Taisho Period (1912--1926). The Creation Society occupied a position of considerable influence in May Fourth literature and was responsible in part for establishing the fashion for the confessional in Chinese literature in the 1920s.

ISBN: 0599779845Subjects--Topical Terms:

1017599
Literature, Asian.

The assimilation of the shishosetsu by China's Creation Society.
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500 $a Source: Dissertation Abstracts International, Volume: 61-05, Section: A, page: 1846.
500 $a Chairperson: Marvin Marcus.
502 $a Thesis (Ph.D.)--Washington University, 2000.
520 $a The purpose of my research is to examine the manner in which the self-referential fiction of the Chinese literary coterie known as the Creation Society reflects their reading and adaptation of the Japanese shishosetsu, a form which flourished during the Taisho Period (1912--1926). The Creation Society occupied a position of considerable influence in May Fourth literature and was responsible in part for establishing the fashion for the confessional in Chinese literature in the 1920s.
520 $a My dissertation will first delineate the salient features of both the shishosetsu, and the ostensibly autobiographical fiction of the Creation Society. I will then consider the Creation Society's self-referential fiction in the context of the popularity of the personal narrative and the general tendency toward confessionality among Chinese writers of the May Fourth period. I will also locate precedents in traditional Chinese fiction for explicitly confessional literature.
520 $a Moreover, my dissertation will also pursue theoretical questions pertaining to autobiographical writing and the ways in which both the shishosetsu , and the Creation Society's fiction were perceived to function as autobiography by contemporary readers. Specifically, I will examine the dependency of such narratives on the faith in the authenticity of this approach among a small literary community who constituted a complicit, participatory audience of "insiders."
520 $a In conclusion, I will examine the legacy of the shishosetsu in Chinese fiction: its role in promoting the confessional nature of Chinese fiction during the 1920s and, despite a gradual loss of prestige in the Chinese literary world, its continued appeal in Chinese literature in the Maoist era and its revival among China's "New Era" writers in the 1980s.
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