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Music in the age of the Internet: S...

Latonero, Mark Oliver.

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Music in the age of the Internet: Social and cultural implications of emerging communication technology.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Music in the age of the Internet: Social and cultural implications of emerging communication technology./
Author:	Latonero, Mark Oliver.
Description:	246 p.
Notes:	Source: Dissertation Abstracts International, Volume: 64-09, Section: A, page: 3126.
Contained By:	Dissertation Abstracts International64-09A.
Subject:	Mass Communications. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3103928
ISBN:	0496514962

Music in the age of the Internet: Social and cultural implications of emerging communication technology.
Latonero, Mark Oliver.

Music in the age of the Internet: Social and cultural implications of emerging communication technology. - 246 p.

Source: Dissertation Abstracts International, Volume: 64-09, Section: A, page: 3126.

Thesis (Ph.D.)--University of Southern California, 2003.

Internet music is poised to transform the way music is produced, distributed, and consumed. Just as recording technology radically altered the music experience at the turn of the twentieth century, Internet music has the potential to do the same

ISBN: 0496514962Subjects--Topical Terms:

1017395
Mass Communications.

Music in the age of the Internet: Social and cultural implications of emerging communication technology.
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245 1 0 $a Music in the age of the Internet: Social and cultural implications of emerging communication technology.
300 $a 246 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-09, Section: A, page: 3126.
500 $a Adviser: Marita Sturken.
502 $a Thesis (Ph.D.)--University of Southern California, 2003.
520 $a Internet music is poised to transform the way music is produced, distributed, and consumed. Just as recording technology radically altered the music experience at the turn of the twentieth century, Internet music has the potential to do the same
520 $a Music and technology have been entwined in a close relationship for millennia. Yet, in the communication literature, the relationship between music and technology is ill defined. Particularly, a disconnect exists between music research and theor
520 $a Popular discourse is filled with news about the widespread change wrought by Internet music technologies. This discourse articulates the social conflict that often accompanies technological change. Structural and institutions forces form a hegem
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790 $a 0208
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