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Three processes in choreography.

Mitchell, Erin.

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Three processes in choreography.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Three processes in choreography./
作者:	Mitchell, Erin.
面頁冊數:	47 p.
附註:	Source: Masters Abstracts International, Volume: 42-05, page: 1421.
Contained By:	Masters Abstracts International42-05.
標題:	Dance. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1419343
ISBN:	0496241133

Three processes in choreography.
Mitchell, Erin.

Three processes in choreography. - 47 p.

Source: Masters Abstracts International, Volume: 42-05, page: 1421.

Thesis (M.F.A.)--California State University, Long Beach, 2003.

Three choreographic projects were produced and performed at the Martha B. Knoebel Dance Theater on the California State University, Long Beach, campus in partial fulfillment of the requirements of the Department of Dance's Master of Fine Arts degree program. Still Counting, a six-minute solo, was performed 21--24 February 2002. Der Bose Garten, an eighteen-minute, multimedia collaboration with composer Mark Irons, was performed 3--5 October 2002. Cross-Eyed & Naked, an eighteen-minute dance for seven dancers, was performed 20--23 February 2003.

ISBN: 0496241133Subjects--Topical Terms:

610547
Dance.

Three processes in choreography.
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502 $a Thesis (M.F.A.)--California State University, Long Beach, 2003.
520 $a Three choreographic projects were produced and performed at the Martha B. Knoebel Dance Theater on the California State University, Long Beach, campus in partial fulfillment of the requirements of the Department of Dance's Master of Fine Arts degree program. Still Counting, a six-minute solo, was performed 21--24 February 2002. Der Bose Garten, an eighteen-minute, multimedia collaboration with composer Mark Irons, was performed 3--5 October 2002. Cross-Eyed & Naked, an eighteen-minute dance for seven dancers, was performed 20--23 February 2003.
520 $a In Still Counting (2002), counting gestures were explored to express an abstract idea. Der Bose Garten (2002) was inspired by the drawings of Edward Gorey and incorporated vocalization, movement, and live music. Cross-Eyed & Naked (2003) was an allegorical study in word play set to alternative country music. This project report describes the processes employed to execute the three choreographic works.
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