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Making dance that matters: Dancer, ...

Traiger, Lisa.

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Making dance that matters: Dancer, choreographer, community organizer, public intellectual Liz Lerman.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Making dance that matters: Dancer, choreographer, community organizer, public intellectual Liz Lerman./
作者:	Traiger, Lisa.
面頁冊數:	205 p.
附註:	Source: Masters Abstracts International, Volume: 42-05, page: 1421.
Contained By:	Masters Abstracts International42-05.
標題:	Dance. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1419296
ISBN:	0496240672

Making dance that matters: Dancer, choreographer, community organizer, public intellectual Liz Lerman.
Traiger, Lisa.

Making dance that matters: Dancer, choreographer, community organizer, public intellectual Liz Lerman. - 205 p.

Source: Masters Abstracts International, Volume: 42-05, page: 1421.

Thesis (M.F.A.)--University of Maryland, College Park, 2004.

Washington, D.C.-based choreographer and dancer Liz Lerman, a MacArthur Award recipient, has been making dances of consequence for 30 years. Her choreography, her writing and her public speaking tackle "big ideas" for the dance field and society at large. Lerman articulates those ideas as questions: "Who gets to dance? Where is the dance happening? What is it about? Why does it matter?" This thesis investigates how Lerman has used her expertise as a choreographer, dancer and spokesperson to propel herself and her ideas beyond the tightly knit field into the larger community as a public intellectual. A brief history and overview defines public intellectual, followed by an examination of Lerman's early life and influences. Finally, three thematic areas in Lerman's work---personal narrative, Jewish content and community-based art---are explored through the lens of three choreographic works: "New York City Winter" (1974), "The Good Jew?" (1991) and "Still Crossing" (1986).

ISBN: 0496240672Subjects--Topical Terms:

610547
Dance.

Making dance that matters: Dancer, choreographer, community organizer, public intellectual Liz Lerman.
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520 $a Washington, D.C.-based choreographer and dancer Liz Lerman, a MacArthur Award recipient, has been making dances of consequence for 30 years. Her choreography, her writing and her public speaking tackle "big ideas" for the dance field and society at large. Lerman articulates those ideas as questions: "Who gets to dance? Where is the dance happening? What is it about? Why does it matter?" This thesis investigates how Lerman has used her expertise as a choreographer, dancer and spokesperson to propel herself and her ideas beyond the tightly knit field into the larger community as a public intellectual. A brief history and overview defines public intellectual, followed by an examination of Lerman's early life and influences. Finally, three thematic areas in Lerman's work---personal narrative, Jewish content and community-based art---are explored through the lens of three choreographic works: "New York City Winter" (1974), "The Good Jew?" (1991) and "Still Crossing" (1986).
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