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Choreographies of gender and nationa...

Kim, Hyunjung.

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Choreographies of gender and nationalism in contemporary South Korean dance.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Choreographies of gender and nationalism in contemporary South Korean dance./
作者:	Kim, Hyunjung.
面頁冊數:	221 p.
附註:	Source: Dissertation Abstracts International, Volume: 65-10, Section: A, page: 3607.
Contained By:	Dissertation Abstracts International65-10A.
標題:	Dance. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3151712
ISBN:	0496118064

Choreographies of gender and nationalism in contemporary South Korean dance.
Kim, Hyunjung.

Choreographies of gender and nationalism in contemporary South Korean dance. - 221 p.

Source: Dissertation Abstracts International, Volume: 65-10, Section: A, page: 3607.

Thesis (Ph.D.)--University of California, Riverside, 2004.

Nationalist discourses on Korean identity in relation to Korean "tradition" have been reinvented at different times, in different forms, and with varying degrees of intensity in South Korea since the late nineteenth century. I locate contemporary Korean dance as a site of this discourse in the twentieth century and examine four major trends of cultural nationalism: spirituality-based anticolonial nationalism; institutionalized, gendered nationalism; redirected gendered nationalism; and aggressive, internationalized, global nationalism. My project, with its focus on Korean Creative Dance and modern dance, expands definitions of what is considered "Korean dance" in the context of cultural nationalism and demonstrates ways that contemporary Korean dancers (re)claim agency in creating contemporary Korean identity, and ways their choreography opens up a possibility for a bodily (re)writing of gendered and subaltern histories.

ISBN: 0496118064Subjects--Topical Terms:

610547
Dance.

Choreographies of gender and nationalism in contemporary South Korean dance.
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500 $a Source: Dissertation Abstracts International, Volume: 65-10, Section: A, page: 3607.
500 $a Chairperson: Jacqueline Shea Murphy.
502 $a Thesis (Ph.D.)--University of California, Riverside, 2004.
520 $a Nationalist discourses on Korean identity in relation to Korean "tradition" have been reinvented at different times, in different forms, and with varying degrees of intensity in South Korea since the late nineteenth century. I locate contemporary Korean dance as a site of this discourse in the twentieth century and examine four major trends of cultural nationalism: spirituality-based anticolonial nationalism; institutionalized, gendered nationalism; redirected gendered nationalism; and aggressive, internationalized, global nationalism. My project, with its focus on Korean Creative Dance and modern dance, expands definitions of what is considered "Korean dance" in the context of cultural nationalism and demonstrates ways that contemporary Korean dancers (re)claim agency in creating contemporary Korean identity, and ways their choreography opens up a possibility for a bodily (re)writing of gendered and subaltern histories.
520 $a Through careful readings of Kang Mi-ri's Willow, The Tree of Life (1996), Kim Young-hee's Here Myself Alone (1997) and Ou Vont-Ils Comme Ca? (1997), and Ahn Ae-soon's Gut - Play (2001), I show how choreographers and dancers embody, theorize, and in some ways redirect this complex, layered history of (post)colonialism. I choose shamanism as a coherent thread throughout my dissertation because of its contentiousness in both colonialist and nationalist discourses, its precarious position at the juncture of tradition and modernity, and its meaningfulness as one of the "essences" of Korean identity. I also address the gendered context of Korean nationalism in the concert form of salp'uri , which is a precursor of Kim's Here Myself Alone and which is well known as a traditional Korean dance.
520 $a I strategically narrate my personal experience of watching dance at different sites through the confessional mode of contemporary ethnography in order to reclaim agency in (re)writing history with cultural, national, and gendered difference. To concentrate on contemporary Korean dance in the context of cultural nationalism, I include its corresponding socio-political, cultural history and/or dance history, which are interrelated throughout Korean history and my dissertation. I choreograph the complex relationship between dancing bodies and crucial issues in cultural studies such as modernity, nationalism, (post)colonialism, and gender, toward multiple readings of each dance piece.
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