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Power, money, and sex(uality): The ...

Coleman, Kendric.

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Power, money, and sex(uality): The black masculine paradigm (Richard Wright, Claude Brown, Nathan McCall, James Earl Hardy).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Power, money, and sex(uality): The black masculine paradigm (Richard Wright, Claude Brown, Nathan McCall, James Earl Hardy)./
作者:	Coleman, Kendric.
面頁冊數:	200 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-02, Section: A, page: 0591.
Contained By:	Dissertation Abstracts International66-02A.
標題:	Literature, American. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3166910
ISBN:	9780542021855

Power, money, and sex(uality): The black masculine paradigm (Richard Wright, Claude Brown, Nathan McCall, James Earl Hardy).
Coleman, Kendric.

Power, money, and sex(uality): The black masculine paradigm (Richard Wright, Claude Brown, Nathan McCall, James Earl Hardy). - 200 p.

Source: Dissertation Abstracts International, Volume: 66-02, Section: A, page: 0591.

Thesis (Ph.D.)--Louisiana State University and Agricultural & Mechanical College, 2005.

This study develops the Black Masculine Paradigm (BMP), a construct used to trace historically specific components that inform black masculinity and explores the physical and psychological defensive strategies employed by black men in Richard Wright's Black Boy, Claude Brown's Manchild in the Promisedland, Nathan McCall's Make Me Wanna Holler, and James Earl Hardy's B-Boy Blues . Specifically, this project offers that power, money, and sex(uality) are located at the core of the BMP, and these social objectives are negotiated through politicization, prescribed masculinity, and heterosexuality. This project reads the politicization of the black male body through its presence in literature and film. Adding to work included by literary and cultural studies scholars, the study has social and psychological dimensions that suggest an alternate form of black masculinity as well. The study reveals that these strategies affect the black males' economic, social and physical movement, and creates a corrupt national narrative that is informed and disrupted by racism.

ISBN: 9780542021855Subjects--Topical Terms:

1017657
Literature, American.

Power, money, and sex(uality): The black masculine paradigm (Richard Wright, Claude Brown, Nathan McCall, James Earl Hardy).
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520 $a This study develops the Black Masculine Paradigm (BMP), a construct used to trace historically specific components that inform black masculinity and explores the physical and psychological defensive strategies employed by black men in Richard Wright's Black Boy, Claude Brown's Manchild in the Promisedland, Nathan McCall's Make Me Wanna Holler, and James Earl Hardy's B-Boy Blues . Specifically, this project offers that power, money, and sex(uality) are located at the core of the BMP, and these social objectives are negotiated through politicization, prescribed masculinity, and heterosexuality. This project reads the politicization of the black male body through its presence in literature and film. Adding to work included by literary and cultural studies scholars, the study has social and psychological dimensions that suggest an alternate form of black masculinity as well. The study reveals that these strategies affect the black males' economic, social and physical movement, and creates a corrupt national narrative that is informed and disrupted by racism.
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