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Epic theater and textual openness: ...

Fontes, Erica Rodrigues.

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Epic theater and textual openness: New visibility in six plays of the Centro do Teatro do Oprimido in Rio de Janeiro (Brazil, Augusto Boal).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Epic theater and textual openness: New visibility in six plays of the Centro do Teatro do Oprimido in Rio de Janeiro (Brazil, Augusto Boal)./
作者:	Fontes, Erica Rodrigues.
面頁冊數:	199 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-09, Section: A, page: 3318.
Contained By:	Dissertation Abstracts International66-09A.
標題:	Literature, Latin American. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3190246
ISBN:	9780542339639

Epic theater and textual openness: New visibility in six plays of the Centro do Teatro do Oprimido in Rio de Janeiro (Brazil, Augusto Boal).
Fontes, Erica Rodrigues.

Epic theater and textual openness: New visibility in six plays of the Centro do Teatro do Oprimido in Rio de Janeiro (Brazil, Augusto Boal). - 199 p.

Source: Dissertation Abstracts International, Volume: 66-09, Section: A, page: 3318.

Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2005.

This dissertation examines six contemporary plays of Augusto Boal's Centro do Teatro do Oprimido in Rio de Janeiro, Brazil, in terms of how the insertion of the oppressed in the theatrical scene creates a flexible theatrical format and, as a consequence, promotes social dialogue.

ISBN: 9780542339639Subjects--Topical Terms:

1024734
Literature, Latin American.

Epic theater and textual openness: New visibility in six plays of the Centro do Teatro do Oprimido in Rio de Janeiro (Brazil, Augusto Boal).
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100 1 $a Fontes, Erica Rodrigues. $3 1909007
245 1 0 $a Epic theater and textual openness: New visibility in six plays of the Centro do Teatro do Oprimido in Rio de Janeiro (Brazil, Augusto Boal).
300 $a 199 p.
500 $a Source: Dissertation Abstracts International, Volume: 66-09, Section: A, page: 3318.
500 $a Adviser: Fred Clark.
502 $a Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2005.
520 $a This dissertation examines six contemporary plays of Augusto Boal's Centro do Teatro do Oprimido in Rio de Janeiro, Brazil, in terms of how the insertion of the oppressed in the theatrical scene creates a flexible theatrical format and, as a consequence, promotes social dialogue.
520 $a In my work I analyze how Artemanha's Fruto proibido and Vicios, Marias do Brasil's Quando o verde dos seus olhos se espalhar na plantacao and Eu-tambem sou mulher, Arte Vida's A princesa e o plebeu and Corpo EnCena's Ser Doutor, Seu Joao, nao e mole, nao! deal with issues of visibility through a social and theatrical perspective in the light of Diana Taylor's theory of the gaze. I also point out that throughout Brazilian history traditional theater has mirrored the legitimate power in establishing social symbols to be gazed at. The Oppressed's dramatic and, eventually, social inversion as someone who is aware of the social system's inconsistencies and able to react against it depicts a change in the visibility pattern of the lower class. How the regular visibility pattern is modified by the Centro do Teatro do Oprimido's pieces will be analyzed according to Jiri Veltrusky's Drama as Literature, which defines the formalities of traditional drama, and therefore assists the explanation of the new textual format of the Centro do Teatro do Oprimido's as a tool against constituted social relationships.
520 $a My examination is based on a research I did in Rio de Janeiro in the summer of 2003. It depicts that the format of traditional theater has to be altered in order to manifest new visibility patterns because traditional theater reinforces relationships of power which are already advantageous to the elite, privileging their perspective. My analysis of the Centro do Teatro do Oprimido's six pieces highlights the Centro do Teatro do Oprimido's launching of a new play design, through which the oppressed pronounces his/her wishes and is enabled to fight for justice.
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