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Dragos Tanasescu's "Treatise of Pian...
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Zidaru, Lucian B.
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Dragos Tanasescu's "Treatise of Pianistic Technique".
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Dragos Tanasescu's "Treatise of Pianistic Technique"./
作者:
Zidaru, Lucian B.
面頁冊數:
128 p.
附註:
Source: Dissertation Abstracts International, Volume: 66-07, Section: A, page: 2440.
Contained By:
Dissertation Abstracts International66-07A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3184111
ISBN:
9780542254970
Dragos Tanasescu's "Treatise of Pianistic Technique".
Zidaru, Lucian B.
Dragos Tanasescu's "Treatise of Pianistic Technique".
- 128 p.
Source: Dissertation Abstracts International, Volume: 66-07, Section: A, page: 2440.
Thesis (D.M.A.)--Louisiana State University and Agricultural & Mechanical College, 2005.
This study examines Dragos Tanasescu's fingering system and technical exercises presented in Treatise of Pianistic Technique. The Treatise contains four books, each one dedicated to a segment of technical problems. Tanasescu's main contribution to the piano technique is the application of math permutation formulas to create all possible arrangements of fingering patterns. His treatise continues previous technical approaches of A. Kullak, F. Liszt, J. Pischna, and E. Dohnanyi. Earlier methods organize the technical material by one principle: fingerings. The purpose of this study is to illustrate the characteristics of Tanasescu's fingering system presented in Treatise of Pianistic Technique, and provide insights from a historical and technical perspective.
ISBN: 9780542254970Subjects--Topical Terms:
516178
Music.
Dragos Tanasescu's "Treatise of Pianistic Technique".
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Source: Dissertation Abstracts International, Volume: 66-07, Section: A, page: 2440.
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Director: Jennifer Hayghe.
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Thesis (D.M.A.)--Louisiana State University and Agricultural & Mechanical College, 2005.
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This study examines Dragos Tanasescu's fingering system and technical exercises presented in Treatise of Pianistic Technique. The Treatise contains four books, each one dedicated to a segment of technical problems. Tanasescu's main contribution to the piano technique is the application of math permutation formulas to create all possible arrangements of fingering patterns. His treatise continues previous technical approaches of A. Kullak, F. Liszt, J. Pischna, and E. Dohnanyi. Earlier methods organize the technical material by one principle: fingerings. The purpose of this study is to illustrate the characteristics of Tanasescu's fingering system presented in Treatise of Pianistic Technique, and provide insights from a historical and technical perspective.
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The first chapter provides a succinct description of previous fingering systems of C. P. E. Bach, C. Czerny, A. Kullak, F. Liszt, E. Dohnanyi, and a brief presentation of the Treatise of Pianistic Technique's four Books. Chapter Two contains an analysis of Tanasescu's main technical terms and principles. Chapter Three provides an analysis of all polyphonic exercises with two voices contained in Book III of Tanasescu's Treatise . Each exercise is compared with previous examples by Liszt, Pischna, and Dohnanyi. Chapter Four presents Tanasescu's new transposition method and its benefits. The last chapter provides a comparison between Tanasescu's polyphonic patterns and examples from the Classic and Romantic piano repertoire. This study has been directed by Jennifer Hayghe, Associate Professor at Louisiana State University.
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