東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The impact of psychology on feminist...

Lawrence, Katherine M.

Linked to FindBook

Google Book

Amazon

博客來

The impact of psychology on feminist performance art: The work of Suzanne Lacy.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The impact of psychology on feminist performance art: The work of Suzanne Lacy./
Author:	Lawrence, Katherine M.
Description:	97 p.
Notes:	Source: Masters Abstracts International, Volume: 43-05, page: 1640.
Contained By:	Masters Abstracts International43-05.
Subject:	Women's Studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1430868
ISBN:	0542018519

The impact of psychology on feminist performance art: The work of Suzanne Lacy.
Lawrence, Katherine M.

The impact of psychology on feminist performance art: The work of Suzanne Lacy. - 97 p.

Source: Masters Abstracts International, Volume: 43-05, page: 1640.

Thesis (M.I.D.S.)--Roosevelt University, 2005.

Suzanne Lacy is a feminist performance artist whose personal response to women's issues of aging and violence towards women tempered by her training in psychology and feminist theory moves her to activism as evidenced through analyses of three early works; Ablutions, Three Days in May, and In Mourning and in Rage. Lacy rejects Sigmund Freud's theories, three of which are summarized in detail: Love-Choice, Object Choice with the Virgin/Whore dichotomy, and Impotence and the Virgin Taboo/Blood.

ISBN: 0542018519Subjects--Topical Terms:

1017481
Women's Studies.

The impact of psychology on feminist performance art: The work of Suzanne Lacy.
LDR:01960nmm 2200337 4500 001 1817091
005 20060816133922.5
008 130610s2005 eng d
020 $a 0542018519
035 $a (UnM)AAI1430868
035 $a AAI1430868
040 $a UnM $c UnM
100 1 $a Lawrence, Katherine M. $3 1906456
245 1 4 $a The impact of psychology on feminist performance art: The work of Suzanne Lacy.
300 $a 97 p.
500 $a Source: Masters Abstracts International, Volume: 43-05, page: 1640.
500 $a Adviser: Michael Bryson.
502 $a Thesis (M.I.D.S.)--Roosevelt University, 2005.
520 $a Suzanne Lacy is a feminist performance artist whose personal response to women's issues of aging and violence towards women tempered by her training in psychology and feminist theory moves her to activism as evidenced through analyses of three early works; Ablutions, Three Days in May, and In Mourning and in Rage. Lacy rejects Sigmund Freud's theories, three of which are summarized in detail: Love-Choice, Object Choice with the Virgin/Whore dichotomy, and Impotence and the Virgin Taboo/Blood.
520 $a The relevance of feminist and artistic psychology to the practice of art history criticism; feminist art; gender issues; audience reception; collaboration---a hallmark of Lacy's work; and body art is detailed.
520 $a Pertinent observations from artists, art critics/historians, feminist writers, educators, and psychologists, including Judy Chicago, Edward Lucie-Smith, Joanna Freuh, and Amelia Jones, are included with my critique of their work, as well as extensive biographical material on Suzanne Lacy.
590 $a School code: 1137.
650 4 $a Women's Studies. $3 1017481
650 4 $a Psychology, General. $3 1018034
650 4 $a Biography. $3 531296
650 4 $a Art History. $3 635474
650 4 $a Theater. $3 522973
690 $a 0453
690 $a 0621
690 $a 0304
690 $a 0377
690 $a 0465
710 2 0 $a Roosevelt University. $3 1017660
773 0 $t Masters Abstracts International $g 43-05.
790 1 0 $a Bryson, Michael, $e advisor
790 $a 1137
791 $a M.I.D.S.
792 $a 2005
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1430868