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Erich Mendelsohn and discontinuity o...

Herman, Gregory Scott.

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Erich Mendelsohn and discontinuity of expression (Germany, Architecture).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Erich Mendelsohn and discontinuity of expression (Germany, Architecture)./
作者:	Herman, Gregory Scott.
面頁冊數:	180 p.
附註:	Source: Masters Abstracts International, Volume: 27-02, page: 0159.
Contained By:	Masters Abstracts International27-02.
標題:	Architecture. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1334847

Erich Mendelsohn and discontinuity of expression (Germany, Architecture).
Herman, Gregory Scott.

Erich Mendelsohn and discontinuity of expression (Germany, Architecture). - 180 p.

Source: Masters Abstracts International, Volume: 27-02, page: 0159.

Thesis (M.Arch.)--Rice University, 1988.

The problem of discontinuity in the work of the German architect Erich Mendelsohn (1887-1953) is redefined through a closer look at the biographical context and a critique of the established historiography. Mendelsohn's Jewish status, artistic background, and education are discussed as conditions in the transition to a more professional attitude. The role of the avant garde is considered for its spiritual and artistic influences, and Mendelsohn's sketches are analysed as a uniquely artistic method of composition. The Einsteinturm, the climax of his Expressionist period, is the point of departure for his subsequent buildings. The influence of the Neue Sachlichkeit and the importance of Richard Neutra are shown to be instrumental in Mendelsohn's metamorphosis. Historians have either embraced Mendelsohn and his early Expressionism, or rejected him completely, rather than trying to comprehend his transition to professionalism and his compromise with urban circumstances.Subjects--Topical Terms:

523581
Architecture.

Erich Mendelsohn and discontinuity of expression (Germany, Architecture).
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300 $a 180 p.
500 $a Source: Masters Abstracts International, Volume: 27-02, page: 0159.
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502 $a Thesis (M.Arch.)--Rice University, 1988.
520 $a The problem of discontinuity in the work of the German architect Erich Mendelsohn (1887-1953) is redefined through a closer look at the biographical context and a critique of the established historiography. Mendelsohn's Jewish status, artistic background, and education are discussed as conditions in the transition to a more professional attitude. The role of the avant garde is considered for its spiritual and artistic influences, and Mendelsohn's sketches are analysed as a uniquely artistic method of composition. The Einsteinturm, the climax of his Expressionist period, is the point of departure for his subsequent buildings. The influence of the Neue Sachlichkeit and the importance of Richard Neutra are shown to be instrumental in Mendelsohn's metamorphosis. Historians have either embraced Mendelsohn and his early Expressionism, or rejected him completely, rather than trying to comprehend his transition to professionalism and his compromise with urban circumstances.
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