東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Adolf Loos in Central European cultu...

Wuellner, Margarita Jerabek.

FindBook

Google Book

Amazon

博客來

Adolf Loos in Central European culture (Austria, Czech Republic, Franz Kafka).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Adolf Loos in Central European culture (Austria, Czech Republic, Franz Kafka)./
作者:	Wuellner, Margarita Jerabek.
面頁冊數:	640 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-07, Section: A, page: 2416.
Contained By:	Dissertation Abstracts International66-07A.
標題:	Architecture. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3181730
ISBN:	054222187X

Adolf Loos in Central European culture (Austria, Czech Republic, Franz Kafka).
Wuellner, Margarita Jerabek.

Adolf Loos in Central European culture (Austria, Czech Republic, Franz Kafka). - 640 p.

Source: Dissertation Abstracts International, Volume: 66-07, Section: A, page: 2416.

Thesis (Ph.D.)--University of California, Los Angeles, 2005.

Adolf Loos, a Viennese architect and cultural critic of the Modern period, eliminated ornament and separated art from architecture. Redefining architecture in terms of social function, his techne was a language of mute, smooth exteriors that gave primacy to interior space. An early challenger to the centralized architectural culture of Austria-Hungary, he inspired a whole generation and left behind a legacy of brilliance; however, little has been published that considers his work within the regional context. Themes explored in the first part of the dissertation provide background on the local cultural landscape, including the contributions of vernacular literature to the rise of Czech urban culture, problems concerning cultural identity in nineteenth-century architecture, and an in-depth investigation of Prague as an urban form.

ISBN: 054222187XSubjects--Topical Terms:

523581
Architecture.

Adolf Loos in Central European culture (Austria, Czech Republic, Franz Kafka).
LDR:03204nmm 2200301 4500 001 1814972
005 20060719130558.5
008 130610s2005 eng d
020 $a 054222187X
035 $a (UnM)AAI3181730
035 $a AAI3181730
040 $a UnM $c UnM
100 1 $a Wuellner, Margarita Jerabek. $3 1904413
245 1 0 $a Adolf Loos in Central European culture (Austria, Czech Republic, Franz Kafka).
300 $a 640 p.
500 $a Source: Dissertation Abstracts International, Volume: 66-07, Section: A, page: 2416.
500 $a Chair: Anthony Vidler.
502 $a Thesis (Ph.D.)--University of California, Los Angeles, 2005.
520 $a Adolf Loos, a Viennese architect and cultural critic of the Modern period, eliminated ornament and separated art from architecture. Redefining architecture in terms of social function, his techne was a language of mute, smooth exteriors that gave primacy to interior space. An early challenger to the centralized architectural culture of Austria-Hungary, he inspired a whole generation and left behind a legacy of brilliance; however, little has been published that considers his work within the regional context. Themes explored in the first part of the dissertation provide background on the local cultural landscape, including the contributions of vernacular literature to the rise of Czech urban culture, problems concerning cultural identity in nineteenth-century architecture, and an in-depth investigation of Prague as an urban form.
520 $a Part II develops themes in the critical history of Viennese modernism, such as the question of "cladding," Otto Wagner's program for modern architecture, and the theory of Spielraum, or spatial form. Part III moves to Loos's writings and architecture. The question of "minor language" is treated in an extended reading of the theoretical relations between Loos and Kafka. The legacy of Neoclassicism in Loos's architecture is investigated and then related to the minor language theme in a discussion of his urban classicism. The relations between nature, culture and the propriety of ornament are studied, and Loos's antipathy to the idea of "style" as well as his responses to the questions of function, beauty and the discourse on cladding are seen as stimuli for his understanding of architecture. The idea of discursive space provides a means of understanding Loos's notion of cultural space, which was influenced by the theory of Spielraum from German art history and aesthetics, and is crucial for his Raumplan theory. Spielraum is explored in architecture and music, particularly in the friendship between Loos and Arnold Schonberg. The dissertation concludes with an analysis of four Loos houses, showing how his engagement with culture provided a vehicle for identifying the space that exists in the duality between subject and object, which he recognized as a consequence of limits of art in Central European culture.
590 $a School code: 0031.
650 4 $a Architecture. $3 523581
650 4 $a Art History. $3 635474
650 4 $a Biography. $3 531296
690 $a 0729
690 $a 0377
690 $a 0304
710 2 0 $a University of California, Los Angeles. $3 626622
773 0 $t Dissertation Abstracts International $g 66-07A.
790 1 0 $a Vidler, Anthony, $e advisor
790 $a 0031
791 $a Ph.D.
792 $a 2005
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3181730