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A sense of the past: Music, place, a...

Samuels, David William.

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A sense of the past: Music, place, and history on the San Carlos Apache reservation.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A sense of the past: Music, place, and history on the San Carlos Apache reservation./
作者:	Samuels, David William.
面頁冊數:	406 p.
附註:	Source: Dissertation Abstracts International, Volume: 59-06, Section: A, page: 2089.
Contained By:	Dissertation Abstracts International59-06A.
標題:	Anthropology, Cultural. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9838109
ISBN:	0591917858

A sense of the past: Music, place, and history on the San Carlos Apache reservation.
Samuels, David William.

A sense of the past: Music, place, and history on the San Carlos Apache reservation. - 406 p.

Source: Dissertation Abstracts International, Volume: 59-06, Section: A, page: 2089.

Thesis (Ph.D.)--The University of Texas at Austin, 1998.

The dissertation explores the symbolic connections made between mass-mediated commercial popular music and a deeply felt sense of connection to the historical past in two communities on the San Carlos Apache reservation in southeastern Arizona. In the dissertation it is argued that hybrid musical forms--the blending of disparate musical-cultural styles or elements--take advantage of the ambiguities inherent in cultural categorization in order to express and comment upon the histories and social relations between groups in post-colonial contexts.

ISBN: 0591917858Subjects--Topical Terms:

735016
Anthropology, Cultural.

A sense of the past: Music, place, and history on the San Carlos Apache reservation.
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500 $a Source: Dissertation Abstracts International, Volume: 59-06, Section: A, page: 2089.
500 $a Co-Supervisors: Pauline Turner Strong; Steven Feld.
502 $a Thesis (Ph.D.)--The University of Texas at Austin, 1998.
520 $a The dissertation explores the symbolic connections made between mass-mediated commercial popular music and a deeply felt sense of connection to the historical past in two communities on the San Carlos Apache reservation in southeastern Arizona. In the dissertation it is argued that hybrid musical forms--the blending of disparate musical-cultural styles or elements--take advantage of the ambiguities inherent in cultural categorization in order to express and comment upon the histories and social relations between groups in post-colonial contexts.
520 $a The dissertation examines and draws linkages between three broad cultural domains: historical discourses, everyday life, and aesthetics, in order to demonstrate how experiences that are unmarked and everyday, like hearing a rock song played on the radio, become symbolically linked with experiences, knowledges, and ideologies that are more deeply resonant with history and the past. I argue that this juxtapositioned layering of past and present, as well as the centrality of resonance with the past, constitutes a foundational trope in the aesthetics and cultural poetics of the reservation communities.
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