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He'll: Parody in the Canadian poetic...

Dueck, Nathan Russel.

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He'll: Parody in the Canadian poetic novel.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	He'll: Parody in the Canadian poetic novel./
作者:	Dueck, Nathan Russel.
面頁冊數:	279 p.
附註:	Source: Dissertation Abstracts International, Volume: 71-08, Section: A, page: 2885.
Contained By:	Dissertation Abstracts International71-08A.
標題:	Literature, Modern. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NR64097
ISBN:	9780494640975

He'll: Parody in the Canadian poetic novel.
Dueck, Nathan Russel.

He'll: Parody in the Canadian poetic novel. - 279 p.

Source: Dissertation Abstracts International, Volume: 71-08, Section: A, page: 2885.

Thesis (Ph.D.)--University of Calgary (Canada), 2010.

This dissertation considers literary parody as reading in performance. If we accept that parody reads its source texts, we also acknowledge the potential for a performative reading of these sources. Literary parody is not only citation, but a process of recitation as well. If so, parodic fiction that recites poetry embodies the structure, style, and tone of its source texts. I will attempt to examine the poetics of this performance trope through a particular form of parody. By parodying the cadences and intonations of poetic language, the "poetic novel" invites readers to enact the gestures of its textual performance.

ISBN: 9780494640975Subjects--Topical Terms:

624011
Literature, Modern.

He'll: Parody in the Canadian poetic novel.
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500 $a Source: Dissertation Abstracts International, Volume: 71-08, Section: A, page: 2885.
502 $a Thesis (Ph.D.)--University of Calgary (Canada), 2010.
520 $a This dissertation considers literary parody as reading in performance. If we accept that parody reads its source texts, we also acknowledge the potential for a performative reading of these sources. Literary parody is not only citation, but a process of recitation as well. If so, parodic fiction that recites poetry embodies the structure, style, and tone of its source texts. I will attempt to examine the poetics of this performance trope through a particular form of parody. By parodying the cadences and intonations of poetic language, the "poetic novel" invites readers to enact the gestures of its textual performance.
520 $a If literary parody reads its sources, I propose that any subsequent act of reading constitutes rereading. Rereading a poetic novel requires that we must interpret the discursive ambiguity, even ambivalence, of poetry. In effect, poetic novels operate through apostrophe both to source texts and to readers. Such a rhetorical address relies on our identification with the pathos provoked by the self-referential qualities of poetic language. Supposing that parody is an occasion for reading in performance, the poetry within specific prose narratives affords a performative opportunity.
520 $a As its title suggests, this dissertation will relate the implications of parody to narratives by particular poet-novelists in Canada that cite and recite poetry. I will consider how parody manipulates literary conventions by looking at theories by Linda Hutcheon, Margaret Rose, and Robert Phiddian. I will perform a close reading of poetic novels by Leonard Cohen and Michael Ondaatje; Margaret Atwood, Jane Urquhart, and Anne Michaels; Robert Kroetsch; and finally, Malcolm Lowry.
520 $a "He'll" strives to embrace the ironies of parody that alternately asserts or subverts literary conventions, while simultaneously encouraging disjunctive readings of several poetic novels.
590 $a School code: 0026.
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