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Jazz Mecca: An ethnographic study of...
~
Cromwell, Arthur Carrall.
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Jazz Mecca: An ethnographic study of Chicago's South Side Jazz community.
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Jazz Mecca: An ethnographic study of Chicago's South Side Jazz community./
Author:
Cromwell, Arthur Carrall.
Description:
236 p.
Notes:
Source: Dissertation Abstracts International, Volume: 59-03, Section: A, page: 0652.
Contained By:
Dissertation Abstracts International59-03A.
Subject:
Black Studies. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9826311
ISBN:
9780591787139
Jazz Mecca: An ethnographic study of Chicago's South Side Jazz community.
Cromwell, Arthur Carrall.
Jazz Mecca: An ethnographic study of Chicago's South Side Jazz community.
- 236 p.
Source: Dissertation Abstracts International, Volume: 59-03, Section: A, page: 0652.
Thesis (Ph.D.)--Ohio University, 1998.
Jazz Mecca is an auto-ethnographic study of the evolution of Chicago's South Side Jazz community with particular attention paid to the founding and development of the Association for the Advancement of Creative Musicians (AACM).
ISBN: 9780591787139Subjects--Topical Terms:
1017673
Black Studies.
Jazz Mecca: An ethnographic study of Chicago's South Side Jazz community.
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Jazz Mecca: An ethnographic study of Chicago's South Side Jazz community.
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236 p.
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Source: Dissertation Abstracts International, Volume: 59-03, Section: A, page: 0652.
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Directors: Jenny Nelson; David Descutner.
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Thesis (Ph.D.)--Ohio University, 1998.
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Jazz Mecca is an auto-ethnographic study of the evolution of Chicago's South Side Jazz community with particular attention paid to the founding and development of the Association for the Advancement of Creative Musicians (AACM).
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Through interviews with Milt Hinton, Von Freeman, Jimmy Ellis, Clifford Jordan, and Eddie Harris emphasis is placed on the reconstruction of South Side Jazz musicians' lives, the venues (club circuit), and the relationship Jazz musicians have to the changing social and economic climate. The founding of the Association, the formation of early AACM ensembles, the exodus of the founding pioneers, and the continuity provided by subsequent generation of musicians is traced through interviews with Jodie Christian, Joseph Jarman, Roscoe Mitchell, Malachi Favors, Fred Anderson, Kahil El' Zabar, Edward Wilkerson, and Mwata Bowden. Emphasis is placed upon the reasons for the establishment of the Association and its role in the postmodern urban milieu.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9826311
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