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"Batuko" and "Funana": Musical tradi...

Hurley-Glowa, Susan Margaret.

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"Batuko" and "Funana": Musical traditions of Santiago, Republic of Cape Verde.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	"Batuko" and "Funana": Musical traditions of Santiago, Republic of Cape Verde./
Author:	Hurley-Glowa, Susan Margaret.
Description:	394 p.
Notes:	Source: Dissertation Abstracts International, Volume: 58-07, Section: A, page: 2452.
Contained By:	Dissertation Abstracts International58-07A.
Subject:	Anthropology, Cultural. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9738563
ISBN:	9780591488043

"Batuko" and "Funana": Musical traditions of Santiago, Republic of Cape Verde.
Hurley-Glowa, Susan Margaret.

"Batuko" and "Funana": Musical traditions of Santiago, Republic of Cape Verde. - 394 p.

Source: Dissertation Abstracts International, Volume: 58-07, Section: A, page: 2452.

Thesis (Ph.D.)--Brown University, 1997.

This dissertation is an ethnomusicological study of two of the musical traditions of the Badius, people from the island of Santiago, Cape Verde (West Africa) who have retained strong African roots in a predominantly Portuguese-influenced society. On the basis of extended fieldwork in Cape Verde and in the Cape Verdean communities of New England, my research focuses on two musical activities; batuko and funana. Batuko is a music and dance genre performed by women's groups in Santiago. The participants sit in a circle and sing in a call-and-response relationship with a leader. As they sing, the women accompany themselves by beating polyrhythmic patterns on rolled-up cloths held between their mid-thighs. One or more individuals dance in the center of the circle, as the group sings and encourages them.

ISBN: 9780591488043Subjects--Topical Terms:

735016
Anthropology, Cultural.

"Batuko" and "Funana": Musical traditions of Santiago, Republic of Cape Verde.
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020 $a 9780591488043
035 $a (UMI)AAI9738563
035 $a AAI9738563
040 $a UMI $c UMI
100 1 $a Hurley-Glowa, Susan Margaret. $3 1684835
245 1 0 $a "Batuko" and "Funana": Musical traditions of Santiago, Republic of Cape Verde.
300 $a 394 p.
500 $a Source: Dissertation Abstracts International, Volume: 58-07, Section: A, page: 2452.
500 $a Adviser: Jeff Todd Titon.
502 $a Thesis (Ph.D.)--Brown University, 1997.
520 $a This dissertation is an ethnomusicological study of two of the musical traditions of the Badius, people from the island of Santiago, Cape Verde (West Africa) who have retained strong African roots in a predominantly Portuguese-influenced society. On the basis of extended fieldwork in Cape Verde and in the Cape Verdean communities of New England, my research focuses on two musical activities; batuko and funana. Batuko is a music and dance genre performed by women's groups in Santiago. The participants sit in a circle and sing in a call-and-response relationship with a leader. As they sing, the women accompany themselves by beating polyrhythmic patterns on rolled-up cloths held between their mid-thighs. One or more individuals dance in the center of the circle, as the group sings and encourages them.
520 $a Funana is an accordion-based dance music associated with the badius which exists in both folk and popular versions. Funana is characterized by the use of the diatonic button accordion and a homemade iron scraper which is used as a timekeeper for songs typically played in a fast, quadratic meter. Two men play these instruments and one of them usually doubles as a singer, presenting songs of topical interest. People dance in pairs to funana, holding each other closely and moving in a style broadly similar to many Afro-Caribbean dances, especially folk merengue.
520 $a Scholarship on batuko and funana is scarce and this work serves as a thorough introduction to them in the form of a detailed descriptive survey. To make the dissertation as complete an ethnomusicological study as possible, it includes an historical component and Western musicological analysis, in addition to an emic view based on the life histories of several important culture bearers. The resulting work is a polyphonic one which blends these various approaches into a multi-faceted view of the music culture.
590 $a School code: 0024.
650 4 $a Anthropology, Cultural. $3 735016
650 4 $a Dance. $3 610547
650 4 $a Music. $3 516178
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690 $a 0378
690 $a 0413
710 2 $a Brown University. $3 766761
773 0 $t Dissertation Abstracts International $g 58-07A.
790 1 0 $a Titon, Jeff Todd, $e advisor
790 $a 0024
791 $a Ph.D.
792 $a 1997
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9738563