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Discursive soul: Black popular music...

Neal, Mark Anthony.

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Discursive soul: Black popular music, communal critique and the Black Public Sphere of the urban north.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Discursive soul: Black popular music, communal critique and the Black Public Sphere of the urban north./
Author:	Neal, Mark Anthony.
Description:	203 p.
Notes:	Source: Dissertation Abstracts International, Volume: 57-06, Section: A, page: 2539.
Contained By:	Dissertation Abstracts International57-06A.
Subject:	American Studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9634477

Discursive soul: Black popular music, communal critique and the Black Public Sphere of the urban north.
Neal, Mark Anthony.

Discursive soul: Black popular music, communal critique and the Black Public Sphere of the urban north. - 203 p.

Source: Dissertation Abstracts International, Volume: 57-06, Section: A, page: 2539.

Thesis (Ph.D.)--State University of New York at Buffalo, 1996.

"Discursive Soul: Black Music, Communal Critique and the Black Public Sphere of the Urban North" examines the black popular music tradition as primary discursive spaces for an African-American communal critique of the 20th century condition--discursive space that often undergirds the African-American quest for community. Grounded in an historical evaluation of the Black Public Sphere in the urban north, the work places an emphases on the hyper-democratic tendencies contained within these spaces and the role of 20th century black migration patterns on black public life.Subjects--Topical Terms:

1017604
American Studies.

Discursive soul: Black popular music, communal critique and the Black Public Sphere of the urban north.
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100 1 $a Neal, Mark Anthony. $3 785935
245 1 0 $a Discursive soul: Black popular music, communal critique and the Black Public Sphere of the urban north.
300 $a 203 p.
500 $a Source: Dissertation Abstracts International, Volume: 57-06, Section: A, page: 2539.
500 $a Adviser: Masani Alexis DeVeaux.
502 $a Thesis (Ph.D.)--State University of New York at Buffalo, 1996.
520 $a "Discursive Soul: Black Music, Communal Critique and the Black Public Sphere of the Urban North" examines the black popular music tradition as primary discursive spaces for an African-American communal critique of the 20th century condition--discursive space that often undergirds the African-American quest for community. Grounded in an historical evaluation of the Black Public Sphere in the urban north, the work places an emphases on the hyper-democratic tendencies contained within these spaces and the role of 20th century black migration patterns on black public life.
520 $a The modes of critique contained within the black popular music are related to the strength and vitality of black public life within the Black Public Sphere. The Black Public Sphere is defined as the often covert social, cultural, and political spaces and institutions created by blacks for the purpose of fellowship, recovery and the creation and distribution of multi-discursive modes of social and political critique. Many of the institutions that comprise the Black Public Sphere have been invaluable conduits for the transmission of communal values, traditions of resistance, and aesthetic sensibilities. The periods of African American migration to the urban north represent the apex of black public life in the 20th century, in that forced segregation and the spatial logic of urban cities facilitate the creation of highly structured covert social spaces.
520 $a The urban upheavals of the 1960s, Post-industrialism, black middle class flight and corporate America's annexation of the black popular music tradition, mark the most crucial social and political forces that undermine the quality of public life within the Black Public Sphere. These forces produce an intense communal crisis embodied in the presence of an African-American Diaspora within the national borders of the United States. In the absence of formal structures of critique across this Diaspora, contemporary black popular music, has emerged as a digitized aural facsimile of the traditional black urban landscape. This concept, which I refer to as the "Digitized Aural Urban Landscape," allows African-Americans, particularly working class and underclass youth, to popularize critical issues within the Diaspora, across the marketplace, and into the larger, though fractured, discourse of the African-American Diaspora.
590 $a School code: 0656.
650 4 $a American Studies. $3 1017604
650 4 $a Black Studies. $3 1017673
650 4 $a Music. $3 516178
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690 $a 0413
710 2 $a State University of New York at Buffalo. $3 1017814
773 0 $t Dissertation Abstracts International $g 57-06A.
790 1 0 $a DeVeaux, Masani Alexis, $e advisor
790 $a 0656
791 $a Ph.D.
792 $a 1996
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9634477