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Media elaboration in underground music.

Scott, Jessica D.

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Media elaboration in underground music.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Media elaboration in underground music./
Author:	Scott, Jessica D.
Description:	76 p.
Notes:	Source: Masters Abstracts International, Volume: 48-05, page: 2566.
Contained By:	Masters Abstracts International48-05.
Subject:	Art Criticism. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1476188
ISBN:	9781109772876

Media elaboration in underground music.
Scott, Jessica D.

Media elaboration in underground music. - 76 p.

Source: Masters Abstracts International, Volume: 48-05, page: 2566.

Thesis (M.A.)--University of Southern California, 2010.

Underground music communities surrounding punk music have shown fascinating and creative ways of absorbing technology and media. In examining some specific case studies, we begin to see viable alternatives for documenting and disseminating art. The two primary examples I will explore are contemporary cassette tape labels and mini documentaries called Online Video 'Zines (OVZs), whose episodes are issued on the Internet like a copy of a magazine. Recent shifts toward the invisible digital format mix with cassette culture and 'zine trading networks and present new ways of looking at media. Music subcultures have a long history of borrowing, appropriating, and pulling apart objects, music, and technology in order to best serve their expression. Punk music champions clunky, outmoded cassettes and cut-and-pasted Online Video 'Zines in the same way it ripped t-shirts and punctured faces with safety pins; expanding meaning beyond their intended or original uses. The result is a media elaboration by subcultures as they pull technology and art together in order to better tell their story.

ISBN: 9781109772876Subjects--Topical Terms:

637082
Art Criticism.

Media elaboration in underground music.
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245 1 0 $a Media elaboration in underground music.
300 $a 76 p.
500 $a Source: Masters Abstracts International, Volume: 48-05, page: 2566.
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502 $a Thesis (M.A.)--University of Southern California, 2010.
520 $a Underground music communities surrounding punk music have shown fascinating and creative ways of absorbing technology and media. In examining some specific case studies, we begin to see viable alternatives for documenting and disseminating art. The two primary examples I will explore are contemporary cassette tape labels and mini documentaries called Online Video 'Zines (OVZs), whose episodes are issued on the Internet like a copy of a magazine. Recent shifts toward the invisible digital format mix with cassette culture and 'zine trading networks and present new ways of looking at media. Music subcultures have a long history of borrowing, appropriating, and pulling apart objects, music, and technology in order to best serve their expression. Punk music champions clunky, outmoded cassettes and cut-and-pasted Online Video 'Zines in the same way it ripped t-shirts and punctured faces with safety pins; expanding meaning beyond their intended or original uses. The result is a media elaboration by subcultures as they pull technology and art together in order to better tell their story.
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650 4 $a Journalism. $3 576107
650 4 $a Multimedia Communications. $3 1057801
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