東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

WEBERN SYMPHONY: BEYOND PALINDROMES...

YANG, TSUNG-HSIEN.

FindBook

Google Book

Amazon

博客來

WEBERN SYMPHONY: BEYOND PALINDROMES AND CANONS.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	WEBERN SYMPHONY: BEYOND PALINDROMES AND CANONS./
作者:	YANG, TSUNG-HSIEN.
面頁冊數:	103 p.
附註:	Source: Dissertation Abstracts International, Volume: 48-04, Section: A, page: 0865.
Contained By:	Dissertation Abstracts International48-04A.
標題:	Education, Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8715771

WEBERN SYMPHONY: BEYOND PALINDROMES AND CANONS.
YANG, TSUNG-HSIEN.

WEBERN SYMPHONY: BEYOND PALINDROMES AND CANONS. - 103 p.

Source: Dissertation Abstracts International, Volume: 48-04, Section: A, page: 0865.

Thesis (Ph.D.)--Brandeis University, 1987.

Because of the numerous technical innovations in his music, Webern analysis has generally become very predictable in the form of technical descriptions. Most notable among these descriptions are those of palindromes and canons. However, Webern's applications of these two devices have achieved a new dimension that exceeds far beyond the conventional perceptions. Therefore, in order to comprehend the true musical meanings of the Symphony which is based on these two devices exclusively, this essay confronts the current analytical approaches toward Webern's compositions in general and offers new perspectives for analyzing the palindromes and canons in the Symphony in particular. It first investigates the nature of these two devices and also Webern's unique applications of them in his early twelve-tone works, including those in the second movement of the Symphony. A fundamental distinction is thus found between the use of these two devices as formal formulas on the one hand and as technical formulas on the other. And with Webern's apparent lack of interest in the former, it is clear that the structural coherence of the Symphony is a direct result of Webern's ability to reinterprete the compositional potentials possessed by the two devices. It then proceeds to analyze the first movement in detail by applying the new perspectives. The result is a completely fresh understanding of the structural coherence and the musical drama of this important work.Subjects--Topical Terms:

1017808
Education, Music.

WEBERN SYMPHONY: BEYOND PALINDROMES AND CANONS.
LDR:02187nam 2200229 4500 001 1401212
005 20111021125403.5
008 130515s1987 ||||||||||||||||| ||eng d
035 $a (UMI)AAI8715771
035 $a AAI8715771
040 $a UMI $c UMI
100 1 $a YANG, TSUNG-HSIEN. $3 1680334
245 1 0 $a WEBERN SYMPHONY: BEYOND PALINDROMES AND CANONS.
300 $a 103 p.
500 $a Source: Dissertation Abstracts International, Volume: 48-04, Section: A, page: 0865.
502 $a Thesis (Ph.D.)--Brandeis University, 1987.
520 $a Because of the numerous technical innovations in his music, Webern analysis has generally become very predictable in the form of technical descriptions. Most notable among these descriptions are those of palindromes and canons. However, Webern's applications of these two devices have achieved a new dimension that exceeds far beyond the conventional perceptions. Therefore, in order to comprehend the true musical meanings of the Symphony which is based on these two devices exclusively, this essay confronts the current analytical approaches toward Webern's compositions in general and offers new perspectives for analyzing the palindromes and canons in the Symphony in particular. It first investigates the nature of these two devices and also Webern's unique applications of them in his early twelve-tone works, including those in the second movement of the Symphony. A fundamental distinction is thus found between the use of these two devices as formal formulas on the one hand and as technical formulas on the other. And with Webern's apparent lack of interest in the former, it is clear that the structural coherence of the Symphony is a direct result of Webern's ability to reinterprete the compositional potentials possessed by the two devices. It then proceeds to analyze the first movement in detail by applying the new perspectives. The result is a completely fresh understanding of the structural coherence and the musical drama of this important work.
590 $a School code: 0021.
650 4 $a Education, Music. $3 1017808
690 $a 0522
710 2 $a Brandeis University. $3 1017415
773 0 $t Dissertation Abstracts International $g 48-04A.
790 $a 0021
791 $a Ph.D.
792 $a 1987
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8715771