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An assemblage of fragments: History,...

Vo, Chuong-Dai Hong.

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An assemblage of fragments: History, revolutionary aesthetics and global capitalism in Vietnamese/American literature, films and visual culture.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	An assemblage of fragments: History, revolutionary aesthetics and global capitalism in Vietnamese/American literature, films and visual culture./
Author:	Vo, Chuong-Dai Hong.
Description:	178 p.
Notes:	Source: Dissertation Abstracts International, Volume: 70-12, Section: A, page: 4747.
Contained By:	Dissertation Abstracts International70-12A.
Subject:	Literature, Asian. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3386844
ISBN:	9781109525915

An assemblage of fragments: History, revolutionary aesthetics and global capitalism in Vietnamese/American literature, films and visual culture.
Vo, Chuong-Dai Hong.

An assemblage of fragments: History, revolutionary aesthetics and global capitalism in Vietnamese/American literature, films and visual culture. - 178 p.

Source: Dissertation Abstracts International, Volume: 70-12, Section: A, page: 4747.

Thesis (Ph.D.)--University of California, San Diego, 2009.

This project examines the politics of knowledge production in Vietnam during the transition from socialist realism to post-socialist aesthetics and neoliberalism. I look at literary, filmic and visual culture productions that challenge and present alternatives to the construction of history in the discourses of Vietnamese nationalism, French colonialism and U.S. imperialism. I attend to the cultural violence that came out of the Vietnamese civil war and that continues to haunt the post-socialist society. I first focus on works produced by writers and filmmakers in the North to examine how they responded to the state vision of history-making. To recover the suppressed histories of those who fled Vietnam after 1975, I also examine diasporic Vietnamese films and visual culture that disrupt the unitary discourse of Vietnamese nationalism.

ISBN: 9781109525915Subjects--Topical Terms:

1017599
Literature, Asian.

An assemblage of fragments: History, revolutionary aesthetics and global capitalism in Vietnamese/American literature, films and visual culture.
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100 1 $a Vo, Chuong-Dai Hong. $3 1677654
245 1 3 $a An assemblage of fragments: History, revolutionary aesthetics and global capitalism in Vietnamese/American literature, films and visual culture.
300 $a 178 p.
500 $a Source: Dissertation Abstracts International, Volume: 70-12, Section: A, page: 4747.
500 $a Adviser: Lisa Lowe.
502 $a Thesis (Ph.D.)--University of California, San Diego, 2009.
520 $a This project examines the politics of knowledge production in Vietnam during the transition from socialist realism to post-socialist aesthetics and neoliberalism. I look at literary, filmic and visual culture productions that challenge and present alternatives to the construction of history in the discourses of Vietnamese nationalism, French colonialism and U.S. imperialism. I attend to the cultural violence that came out of the Vietnamese civil war and that continues to haunt the post-socialist society. I first focus on works produced by writers and filmmakers in the North to examine how they responded to the state vision of history-making. To recover the suppressed histories of those who fled Vietnam after 1975, I also examine diasporic Vietnamese films and visual culture that disrupt the unitary discourse of Vietnamese nationalism.
520 $a My project maps out the ways in which writers, filmmakers and artists negotiate the past through appropriations of political, aesthetic and gendered discourses of postcolonial and global nation-formation. I first trace the genealogy of Vietnamese literary criticism and the transition in post-1975 Vietnamese literature from socialist realism to post-socialist aesthetics. Moving from the literary to the visual, I look at short stories, war novels, films, installation art and photography made from within the nation and from the diaspora. I examine how literature and films can be productive sites for the interrogation of nationalist historiography, and how they can be sites for the staging of a modern, heterosexual masculine subject through their elisions of women. I also look at visual culture that unsettle positivist trajectories by attending to the reversals, openings and closings, ruptures and fissures in history-making.
520 $a This is a comparative, interdisciplinary, and multilingual study that brings together the fields of Asian Studies, U.S. Ethnic Studies, Feminist Studies, Cultural Studies, and Transnational Studies, and contributes to the body of research on postcolonial societies negotiating global capitalism.
590 $a School code: 0033.
650 4 $a Literature, Asian. $3 1017599
650 4 $a Asian Studies. $3 1669375
650 4 $a Gender Studies. $3 898693
690 $a 0305
690 $a 0342
690 $a 0733
710 2 $a University of California, San Diego. $b Literature. $3 1043719
773 0 $t Dissertation Abstracts International $g 70-12A.
790 1 0 $a Lowe, Lisa, $e advisor
790 1 0 $a George, Rosemary Marangoly $e committee member
790 1 0 $a Le Espiritu, Yen $e committee member
790 1 0 $a Nguyen-Vo, Thu-Huong $e committee member
790 1 0 $a Yoneyama, Lisa $e committee member
790 1 0 $a Zhang, Yingjin $e committee member
790 $a 0033
791 $a Ph.D.
792 $a 2009
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3386844