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Into the labyrinth: Unraveling Aria...

Hnaraki, Maria.

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Into the labyrinth: Unraveling Ariadne's thread. Cretan music identity and aesthetics.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Into the labyrinth: Unraveling Ariadne's thread. Cretan music identity and aesthetics./
Author:	Hnaraki, Maria.
Description:	315 p.
Notes:	Source: Dissertation Abstracts International, Volume: 63-12, Section: A, page: 4419.
Contained By:	Dissertation Abstracts International63-12A.
Subject:	Anthropology, Cultural. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3076048
ISBN:	9780493965543

Into the labyrinth: Unraveling Ariadne's thread. Cretan music identity and aesthetics.
Hnaraki, Maria.

Into the labyrinth: Unraveling Ariadne's thread. Cretan music identity and aesthetics. - 315 p.

Source: Dissertation Abstracts International, Volume: 63-12, Section: A, page: 4419.

Thesis (Ph.D.)--Indiana University, 2002.

Cretan music identity is shaped according to local and sociocultural conditions on the island of Crete, Greece. Cretans are an amalgam of many influences (specifically, Arabic, Turkish, Venetian, and, in more general terms, Middle Eastern and Mediterranean); to show that, I follow a multidisciplinary approach by looking into the history, the literature, and the arts on the island of Crete, as well as the impact they have had and still have on Cretan music.

ISBN: 9780493965543Subjects--Topical Terms:

735016
Anthropology, Cultural.

Into the labyrinth: Unraveling Ariadne's thread. Cretan music identity and aesthetics.
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020 $a 9780493965543
035 $a (UMI)AAI3076048
035 $a AAI3076048
040 $a UMI $c UMI
100 1 $a Hnaraki, Maria. $3 1674839
245 1 0 $a Into the labyrinth: Unraveling Ariadne's thread. Cretan music identity and aesthetics.
300 $a 315 p.
500 $a Source: Dissertation Abstracts International, Volume: 63-12, Section: A, page: 4419.
500 $a Chair: Ruth M. Stone.
502 $a Thesis (Ph.D.)--Indiana University, 2002.
520 $a Cretan music identity is shaped according to local and sociocultural conditions on the island of Crete, Greece. Cretans are an amalgam of many influences (specifically, Arabic, Turkish, Venetian, and, in more general terms, Middle Eastern and Mediterranean); to show that, I follow a multidisciplinary approach by looking into the history, the literature, and the arts on the island of Crete, as well as the impact they have had and still have on Cretan music.
520 $a In my study, individual performers and their performances are central. I judge my goal to show how Cretans express themselves through singing and dancing as very important, because both songs and dances are something common to all cultures and all individuals. Therefore, all people should sing and dance for a better understanding of the world. Particularly, I expect to contribute to a better understanding and knowledge of my Cretan culture, because song and dance are also ways of confirming cultural identity. In a sense, we are what we sing and what we dance.
590 $a School code: 0093.
650 4 $a Anthropology, Cultural. $3 735016
650 4 $a Folklore. $3 528224
650 4 $a Dance. $3 610547
650 4 $a Music. $3 516178
690 $a 0326
690 $a 0358
690 $a 0378
690 $a 0413
710 2 $a Indiana University. $3 960096
773 0 $t Dissertation Abstracts International $g 63-12A.
790 1 0 $a Stone, Ruth M., $e advisor
790 $a 0093
791 $a Ph.D.
792 $a 2002
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3076048