東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The artistry of Neguinho do Samba: A...

Haas, Colleen M.

FindBook

Google Book

Amazon

博客來

The artistry of Neguinho do Samba: Afro-Brazilian girls and samba-reggae music in the local neighborhood.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The artistry of Neguinho do Samba: Afro-Brazilian girls and samba-reggae music in the local neighborhood./
作者:	Haas, Colleen M.
面頁冊數:	369 p.
附註:	Source: Dissertation Abstracts International, Volume: 71-11, Section: A, page: .
Contained By:	Dissertation Abstracts International71-11A.
標題:	Biography. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3423605
ISBN:	9781124246444

The artistry of Neguinho do Samba: Afro-Brazilian girls and samba-reggae music in the local neighborhood.
Haas, Colleen M.

The artistry of Neguinho do Samba: Afro-Brazilian girls and samba-reggae music in the local neighborhood. - 369 p.

Source: Dissertation Abstracts International, Volume: 71-11, Section: A, page: .

Thesis (Ph.D.)--Indiana University, 2010.

This dissertation examines the intersection between individual creativity and cultural practice in the production of music in contemporary Brazil. Specifically it explores the artistry of one renowned Afro-Brazilian musician, Neguinho do Samba, and reconsiders the musical genre samba-reggae through his participation within an apprenticeship system of neighborhood-based public rehearsals, while critically examining how cultural practice informed his creative work. Through a dedication to improving the conditions of Afro-Brazilian life within the poorest neighborhoods in Salvador da Bahia, Neguinho do Samba created in the 1980s a musical process that used percussion instruments as a stimulus to actively engage local youth. Neguinho's musical experiments and his rigorous pedagogical process, later coined as samba-reggae, became extremely popular through the rehearsals of Olodum and thus, samba-reggae gained the status as a prominent new musical style.

ISBN: 9781124246444Subjects--Topical Terms:

531296
Biography.

The artistry of Neguinho do Samba: Afro-Brazilian girls and samba-reggae music in the local neighborhood.
LDR:03398nam 2200361 4500 001 1394609
005 20110429092907.5
008 130515s2010 ||||||||||||||||| ||eng d
020 $a 9781124246444
035 $a (UMI)AAI3423605
035 $a AAI3423605
040 $a UMI $c UMI
100 1 $a Haas, Colleen M. $3 1673243
245 1 4 $a The artistry of Neguinho do Samba: Afro-Brazilian girls and samba-reggae music in the local neighborhood.
300 $a 369 p.
500 $a Source: Dissertation Abstracts International, Volume: 71-11, Section: A, page: .
500 $a Adviser: Ruth M. Stone.
502 $a Thesis (Ph.D.)--Indiana University, 2010.
520 $a This dissertation examines the intersection between individual creativity and cultural practice in the production of music in contemporary Brazil. Specifically it explores the artistry of one renowned Afro-Brazilian musician, Neguinho do Samba, and reconsiders the musical genre samba-reggae through his participation within an apprenticeship system of neighborhood-based public rehearsals, while critically examining how cultural practice informed his creative work. Through a dedication to improving the conditions of Afro-Brazilian life within the poorest neighborhoods in Salvador da Bahia, Neguinho do Samba created in the 1980s a musical process that used percussion instruments as a stimulus to actively engage local youth. Neguinho's musical experiments and his rigorous pedagogical process, later coined as samba-reggae, became extremely popular through the rehearsals of Olodum and thus, samba-reggae gained the status as a prominent new musical style.
520 $a Samba-reggae music is thought to be inspired by a collective consciousness, or from an international musical exchange through the appropriation of numerous musical styles from within and outside of Brazil. Ethnographic research on Neguinho's motivations, and a musical analysis of samba-reggae performance reveals, however, that the representations of samba-reggae as musical object, and in particular a hybrid form is an unfortunate simplification of a highly interactive and customized musical process. My doctoral research examines cultural practice and the musical dimensions of samba-reggae in terms of Neguinho's artistic intent, pedagogical use, and highly interactive potential and subsequently unveils how musical innovation in contemporary society is heavily reliant on the initiative of influential individuals, and musical creativity is definitively more than merely stylistic borrowing. My dissertation argues that by de-centralizing the notion of global consumption and examining more critically the complexities of artistic production, this approach grounds musical creation within musico-cultural process, thus providing alternatives to notions about "globalization's impact on the loss of culture" that seems to dominate our understanding about popular culture in the twentieth century.
590 $a School code: 0093.
650 4 $a Biography. $3 531296
650 4 $a Black Studies. $3 1017673
650 4 $a Anthropology, Cultural. $3 735016
650 4 $a Music. $3 516178
650 4 $a Latin American Studies. $3 1669420
690 $a 0304
690 $a 0325
690 $a 0326
690 $a 0413
690 $a 0550
710 2 $a Indiana University. $b Folklore and Ethnomusicology. $3 1028123
773 0 $t Dissertation Abstracts International $g 71-11A.
790 1 0 $a Stone, Ruth M., $e advisor
790 1 0 $a Bauman, Richard $e committee member
790 1 0 $a Clegg, Claude $e committee member
790 1 0 $a Reed, Daniel B. $e committee member
790 $a 0093
791 $a Ph.D.
792 $a 2010
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3423605