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Fort Sill Apache cosmopolitans: Sout...

Aplin, Thomas Christopher.

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Fort Sill Apache cosmopolitans: Southwestern music, experience, and identity in the southern Plains.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Fort Sill Apache cosmopolitans: Southwestern music, experience, and identity in the southern Plains./
作者:	Aplin, Thomas Christopher.
面頁冊數:	514 p.
附註:	Source: Dissertation Abstracts International, Volume: 71-10, Section: A, page: 3474.
Contained By:	Dissertation Abstracts International71-10A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3424168
ISBN:	9781124225296

Fort Sill Apache cosmopolitans: Southwestern music, experience, and identity in the southern Plains.
Aplin, Thomas Christopher.

Fort Sill Apache cosmopolitans: Southwestern music, experience, and identity in the southern Plains. - 514 p.

Source: Dissertation Abstracts International, Volume: 71-10, Section: A, page: 3474.

Thesis (Ph.D.)--University of California, Los Angeles, 2010.

Fort Sill Chiricahua/Warm Springs Apache identity is in conflict. A remnant stratum of 500 Apache prisoners of war exiled from the American southwest by the U.S. military in 1886, the modern Fort Sill Apache are descended from the mere 81 Apache prisoners who remained in the southern Plains of Oklahoma upon release from imprisonment in 1913. While writers have too-frequently dismissed this community as the "acculturated," or "assimilated" Apache, the continuity of the Fort Sill Apache as a federally recognized tribe and an evident social community problematizes academic understandings of a people researchers long ago overlooked as not Apache enough.

ISBN: 9781124225296Subjects--Topical Terms:

516178
Music.

Fort Sill Apache cosmopolitans: Southwestern music, experience, and identity in the southern Plains.
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520 $a Fort Sill Chiricahua/Warm Springs Apache identity is in conflict. A remnant stratum of 500 Apache prisoners of war exiled from the American southwest by the U.S. military in 1886, the modern Fort Sill Apache are descended from the mere 81 Apache prisoners who remained in the southern Plains of Oklahoma upon release from imprisonment in 1913. While writers have too-frequently dismissed this community as the "acculturated," or "assimilated" Apache, the continuity of the Fort Sill Apache as a federally recognized tribe and an evident social community problematizes academic understandings of a people researchers long ago overlooked as not Apache enough.
520 $a The crux of this conflict is the underestimation of both the agency of the Apache prisoners in captivity and freedom, as well as of the intellectual and cultural dynamism of Apache peoples, more generally. Confronted by the modern nation-state during the reservation era, members of the once-distinct Chiricahua and Warm Springs bands of Apache peoples reacted uniquely to the pressures of that time. The distinctiveness of band and family histories, politics, and cultures remained a quiet undercurrent for community agents throughout the tribal consolidation of the imprisonment era (1886--1913) and re-emerged as the Apache prisoners neared release from imprisonment and relocation. Despite 27 years of collective imprisonment, close community, and shared memories, the ancestors of the modern Fort Sill Apache tribe parted company with many of their prisoner kin based upon pre-reservation, southwestern identities as they were articulated within the modern realities of Oklahoma.
520 $a Nowhere is this story of twentieth-century Apache agency, identity, and the transformative meaning of place told more clearly than in song. This dissertation provides an analysis of ceremonial, social, hymn, and popular songs' capacity to reveal community-based senses of place, memory, and identity within a region characterized by the presence of the U.S. military, a deeply Christian character, and the post-colonial legacy still negotiated by diverse American Indian populations. The music and history of the Fort Sill Apache community provides opportunity to reflect on the cosmopolitan, border-crossing existences lived by most indigenous peoples of the world and brings to our attention the artistic and philosophical networks that unite Native North American communities, past and present.
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