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Performing history, creating traditi...

al-Harthy, Majid H.

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Performing history, creating tradition: The making of Afro-Omani musics in Umm liGrumten, S&dotbelow;ur li 'fiyyah.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Performing history, creating tradition: The making of Afro-Omani musics in Umm liGrumten, S&dotbelow;ur li 'fiyyah./
作者:	al-Harthy, Majid H.
面頁冊數:	347 p.
附註:	Source: Dissertation Abstracts International, Volume: 71-07, Section: A, page: 2591.
Contained By:	Dissertation Abstracts International71-07A.
標題:	African Studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3408069
ISBN:	9781124039183

Performing history, creating tradition: The making of Afro-Omani musics in Umm liGrumten, S&dotbelow;ur li 'fiyyah.
al-Harthy, Majid H.

Performing history, creating tradition: The making of Afro-Omani musics in Umm liGrumten, S&dotbelow;ur li 'fiyyah. - 347 p.

Source: Dissertation Abstracts International, Volume: 71-07, Section: A, page: 2591.

Thesis (Ph.D.)--Indiana University, 2010.

Nicknamed Umm liGrumtem and li .Fiyyah, the town of S&dotbelow;ur is one of the richest regions of Oman in terms of the African presence in its musical landscape. Located southeast the capital, Muscat, this coastal town is known to have had profound connections with the coast of East Africa. Based on 2007-08 ethnographic field research conducted by the author in S&dotbelow;ur, and drawing on literature in ethnomusicology, African and African American studies, and history; this dissertation, specifically, investigates "Africa's" contribution to the creation of a musical culture of this Omani town. Drawing upon aspects of phenomenology and applying a structuralist approach, this ethnography argues that musical performances as well as other modes of expression such as interviews provide a space to examine the meanings of Africanisms vis-a-vis those of Arabisms which are reflected in the people's concepts of national and cultural identities. Furthermore, by examining the musical-making approaches in S&dotbelow;ur conceptually, it becomes possible to see the scope of an African presence in this town, which has, previously, been underestimated and unexplored. To put it briefly, this dissertation centralizes "Africa" as a concept in contrast to studies that marginalized "Africa" as a reference in the Omani society at large.

ISBN: 9781124039183Subjects--Topical Terms:

1669436
African Studies.

Performing history, creating tradition: The making of Afro-Omani musics in Umm liGrumten, S&dotbelow;ur li 'fiyyah.
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520 $a Nicknamed Umm liGrumtem and li .Fiyyah, the town of S&dotbelow;ur is one of the richest regions of Oman in terms of the African presence in its musical landscape. Located southeast the capital, Muscat, this coastal town is known to have had profound connections with the coast of East Africa. Based on 2007-08 ethnographic field research conducted by the author in S&dotbelow;ur, and drawing on literature in ethnomusicology, African and African American studies, and history; this dissertation, specifically, investigates "Africa's" contribution to the creation of a musical culture of this Omani town. Drawing upon aspects of phenomenology and applying a structuralist approach, this ethnography argues that musical performances as well as other modes of expression such as interviews provide a space to examine the meanings of Africanisms vis-a-vis those of Arabisms which are reflected in the people's concepts of national and cultural identities. Furthermore, by examining the musical-making approaches in S&dotbelow;ur conceptually, it becomes possible to see the scope of an African presence in this town, which has, previously, been underestimated and unexplored. To put it briefly, this dissertation centralizes "Africa" as a concept in contrast to studies that marginalized "Africa" as a reference in the Omani society at large.
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