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Bad history and the logics of blockb...

McGee, Patrick, (1949-)

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Bad history and the logics of blockbuster cinema = Titanic, Gangs of New York, Australia, Inglourious basterds /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Bad history and the logics of blockbuster cinema/ Patrick McGee.
Reminder of title:	Titanic, Gangs of New York, Australia, Inglourious basterds /
Author:	McGee, Patrick,
Published:	New York :Palgrave Macmillan, : 2012.,
Description:	1 online resource (209 p.)
[NT 15003449]:	Introduction: truth, history, and counterdisciplinary practices in film studies -- Terrible beauties: messianic time and the image of social redemption in James Cameron's Titanic. True lies -- Dream ship -- Sublime terror -- Infinite history: Martin Scorsese's Gangs of New York and the production of the inexistent. Color of money -- The gangster and the priest -- Amsterdam and New York -- Spectacles of fearsome acts -- The event no one sees -- Infinite history -- "No dreaming, no story, nothing": Baz Luhrmann's Australia, the cinematic common, and postcolonial discourse. Aboriginal reality show -- Logic of the common -- Utopia, dystopia, and disutopia -- Love of the common -- Conclusion: the glorious truth about inglorious history in Quentin Tarantino's Inglourious basterds.
Subject:	Historical films - History and criticism. -
Online resource:	http://link.springer.com/10.1057/9781137012531
ISBN:	9781137012531 (electronic bk.)

Bad history and the logics of blockbuster cinema = Titanic, Gangs of New York, Australia, Inglourious basterds /
McGee, Patrick,1949-

Bad history and the logics of blockbuster cinemaTitanic, Gangs of New York, Australia, Inglourious basterds /[electronic resource] :Patrick McGee. - 1st ed. - New York :Palgrave Macmillan,2012. - 1 online resource (209 p.)

Includes bibliographical references and index.

Introduction: truth, history, and counterdisciplinary practices in film studies -- Terrible beauties: messianic time and the image of social redemption in James Cameron's Titanic. True lies -- Dream ship -- Sublime terror -- Infinite history: Martin Scorsese's Gangs of New York and the production of the inexistent. Color of money -- The gangster and the priest -- Amsterdam and New York -- Spectacles of fearsome acts -- The event no one sees -- Infinite history -- "No dreaming, no story, nothing": Baz Luhrmann's Australia, the cinematic common, and postcolonial discourse. Aboriginal reality show -- Logic of the common -- Utopia, dystopia, and disutopia -- Love of the common -- Conclusion: the glorious truth about inglorious history in Quentin Tarantino's Inglourious basterds.

ISBN: 9781137012531 (electronic bk.)

Standard No.: 9786613440518

Source: 579684Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

583802
Historical films
--History and criticism.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.H5 / M45 2012

Dewey Class. No.: 791.43/658

Bad history and the logics of blockbuster cinema = Titanic, Gangs of New York, Australia, Inglourious basterds /
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505 0 $a Introduction: truth, history, and counterdisciplinary practices in film studies -- Terrible beauties: messianic time and the image of social redemption in James Cameron's Titanic. True lies -- Dream ship -- Sublime terror -- Infinite history: Martin Scorsese's Gangs of New York and the production of the inexistent. Color of money -- The gangster and the priest -- Amsterdam and New York -- Spectacles of fearsome acts -- The event no one sees -- Infinite history -- "No dreaming, no story, nothing": Baz Luhrmann's Australia, the cinematic common, and postcolonial discourse. Aboriginal reality show -- Logic of the common -- Utopia, dystopia, and disutopia -- Love of the common -- Conclusion: the glorious truth about inglorious history in Quentin Tarantino's Inglourious basterds.
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