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Shakespeare and the materiality of p...

Lin, Erika T., (1972-)

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Shakespeare and the materiality of performance

Record Type:	Electronic resources : Monograph/item
Title/Author:	Shakespeare and the materiality of performance/ Erika T. Lin.
Author:	Lin, Erika T.,
Published:	New York, NY :Palgrave Macmillan, : 2012.,
Description:	1 online resource.
[NT 15003449]:	Performance effects. Introduction: materializing the immaterial -- Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea -- Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost -- Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy -- Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth -- Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.
Subject:	Theater audiences - History - 16th century. - England -
Online resource:	http://link.springer.com/10.1057/9781137006509
ISBN:	9781137006509 (electronic bk.)

Shakespeare and the materiality of performance
Lin, Erika T.,1972-

Shakespeare and the materiality of performance[electronic resource] /Erika T. Lin. - New York, NY :Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references.

Performance effects. Introduction: materializing the immaterial -- Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea -- Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost -- Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy -- Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth -- Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.

Many unspoken assumptions permeated the experience of performance in Shakespeare's theatre. Drawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and other fascinating primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped not only dramatic narratives but also the presentational dynamics of onstage action. Combining literary criticism, theatre history, and performance theory, this ground-breaking study explodes received ideas about mimesis, spectacle, and semiotics as it uncovers the ways in which early modern performance functioned as a material medium, revising and producing social attitudes and practices.

ISBN: 9781137006509 (electronic bk.)

Standard No.: 9786613954268

Source: 565879Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

3223182
Shakespeare, William,
1564-1616--AdaptationsSubjects--Topical Terms:

891889
Theater audiences
--History--England--16th century.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR3095 / .L56 2012

Dewey Class. No.: 792.0942

Shakespeare and the materiality of performance
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245 1 0 $a Shakespeare and the materiality of performance $h [electronic resource] / $c Erika T. Lin.
260 $a New York, NY : $b Palgrave Macmillan, $c 2012.
300 $a 1 online resource.
504 $a Includes bibliographical references.
505 0 $a Performance effects. Introduction: materializing the immaterial -- Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea -- Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost -- Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy -- Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth -- Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.
520 $a Many unspoken assumptions permeated the experience of performance in Shakespeare's theatre. Drawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and other fascinating primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped not only dramatic narratives but also the presentational dynamics of onstage action. Combining literary criticism, theatre history, and performance theory, this ground-breaking study explodes received ideas about mimesis, spectacle, and semiotics as it uncovers the ways in which early modern performance functioned as a material medium, revising and producing social attitudes and practices.
588 $a Description based on print version record.
600 1 0 $a Shakespeare, William, $d 1564-1616 $v Adaptations $3 3223182
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650 0 $a Theater audiences $z England $z London $x History $y 17th century. $3 891890
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650 0 $a Theater and society $z England $x History $y 17th century. $3 684909
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655 4 $a Electronic books. $2 lcsh $3 542853
776 0 8 $i Print version: $a Lin, Erika T., 1972- $t Shakespeare and the materiality of performance. $d New York, NY : Palgrave Macmillan, 2012 $z 9781137001061 $w (DLC) 2012011554 $w (OCoLC)784447335
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