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British Colonial realism in Africa =...
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Spillman, Deborah Shapple.
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British Colonial realism in Africa = inalienable objects, contested domains /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
British Colonial realism in Africa/ Deborah Shapple Spillman.
其他題名:
inalienable objects, contested domains /
作者:
Spillman, Deborah Shapple.
出版者:
New York :Palgrave Macmillan, : 2012.,
面頁冊數:
1 online resource.
內容註:
List of Illustrations -- Preface -- Introduction: Reading Colonial Realism -- Taking Objects for Origins: Victorian Ethnography and Heart of Darkness -- The Uncanny Object Lessons of Mary Kingsley and Edward Blyden -- Realism and Realia in Colonial Southern Africa -- Artful Tales and Indigenous Arts in The Story of an African Farm -- Coda -- Notes -- Bibliography -- Index -- --.
標題:
English literature - History and criticism. - 19th century -
標題:
Africa - Civilization. -
電子資源:
http://link.springer.com/10.1057/9780230378018An electronic book accessible through the World Wide Web; click for information
ISBN:
9780230378018 (electronic bk.)
British Colonial realism in Africa = inalienable objects, contested domains /
Spillman, Deborah Shapple.
British Colonial realism in Africa
inalienable objects, contested domains /[electronic resource] :Deborah Shapple Spillman. - New York :Palgrave Macmillan,2012. - 1 online resource. - Palgrave studies in nineteenth-century writing and culture.
List of Illustrations -- Preface -- Introduction: Reading Colonial Realism -- Taking Objects for Origins: Victorian Ethnography and Heart of Darkness -- The Uncanny Object Lessons of Mary Kingsley and Edward Blyden -- Realism and Realia in Colonial Southern Africa -- Artful Tales and Indigenous Arts in The Story of an African Farm -- Coda -- Notes -- Bibliography -- Index -- --.
How are objects central to the formation of individuals, their communities, and their liberties? What role do objects play as they move between societies and their different systems of value as commodities, as charms, as gifts, as trophies, or as curses? Nineteenth-century British authors attempting to transport narrative realism to the colonies confronted such questions directly and indirectly as they struggled to represent competing forms of material investment that characterized colonial and postcolonial life in Africa. Reading works by authors from Joseph Conrad and Mary Kingsley to Anna Howarth and Olive Schreiner against nineteenth-century African essays, folklore, visual arts, and recorded testimonies, this new study considers how conflicts over the material world impacted literary realism in colonial Africa. These conflicts highlight tensions between Victorian and African perceptions of objects and practices of exchange, while directing our attention toward alternate histories and stories yet to be told.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2012.
Mode of access: World Wide Web.
ISBN: 9780230378018 (electronic bk.)
Standard No.: 9786613657169
Source: 567997Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
553825
English literature
--History and criticism.--19th centurySubjects--Geographical Terms:
725335
Africa
--Civilization.Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PR468.R42 / S65 2012
Dewey Class. No.: 820.9/12
British Colonial realism in Africa = inalienable objects, contested domains /
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List of Illustrations -- Preface -- Introduction: Reading Colonial Realism -- Taking Objects for Origins: Victorian Ethnography and Heart of Darkness -- The Uncanny Object Lessons of Mary Kingsley and Edward Blyden -- Realism and Realia in Colonial Southern Africa -- Artful Tales and Indigenous Arts in The Story of an African Farm -- Coda -- Notes -- Bibliography -- Index -- --.
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How are objects central to the formation of individuals, their communities, and their liberties? What role do objects play as they move between societies and their different systems of value as commodities, as charms, as gifts, as trophies, or as curses? Nineteenth-century British authors attempting to transport narrative realism to the colonies confronted such questions directly and indirectly as they struggled to represent competing forms of material investment that characterized colonial and postcolonial life in Africa. Reading works by authors from Joseph Conrad and Mary Kingsley to Anna Howarth and Olive Schreiner against nineteenth-century African essays, folklore, visual arts, and recorded testimonies, this new study considers how conflicts over the material world impacted literary realism in colonial Africa. These conflicts highlight tensions between Victorian and African perceptions of objects and practices of exchange, while directing our attention toward alternate histories and stories yet to be told.
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