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Cross-gendered literary voices = app...

Westall, Claire.

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Cross-gendered literary voices = appropriating, resisting, embracing /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Cross-gendered literary voices/ edited by Rina Kim, Claire Westall.
Reminder of title:	appropriating, resisting, embracing /
other author:	Westall, Claire.
Published:	Basingstoke :Palgrave Macmillan, : 2012.,
Description:	1 online resource (1 v.)
[NT 15003449]:	Cover; Contents; Acknowledgements; Notes on Contributors; Introduction: Cross-Gendered Literary Voices; Part I: Empowering or Effacing The Victorian Other?; 1 Female Narrative Energy in the Writings of Dead White Males: Dickens, Collins and Freud; 2 'Everything depend[s] on the fashion of narration': Women Writing Women Writers in Short Stories of the Fin-de-Si{grave}ecle; Part II: Resisting and Embracing the Other via the Abject Entity; 3 'These heavy sands are language tide and wind have silted here': Tidal Voicing and the Poetics of Home in James Joyce's Ulysses
Subject:	Gender identity in literature. -
Online resource:	http://link.springer.com/10.1057/9781137020758An electronic book accessible through the World Wide Web; click for information
ISBN:	9781137020758 (electronic bk.)

Cross-gendered literary voices = appropriating, resisting, embracing /
Cross-gendered literary voicesappropriating, resisting, embracing /[electronic resource] :edited by Rina Kim, Claire Westall. - Basingstoke :Palgrave Macmillan,2012. - 1 online resource (1 v.)

Includes bibliographical references and index.

Cover; Contents; Acknowledgements; Notes on Contributors; Introduction: Cross-Gendered Literary Voices; Part I: Empowering or Effacing The Victorian Other?; 1 Female Narrative Energy in the Writings of Dead White Males: Dickens, Collins and Freud; 2 'Everything depend[s] on the fashion of narration': Women Writing Women Writers in Short Stories of the Fin-de-Si{grave}ecle; Part II: Resisting and Embracing the Other via the Abject Entity; 3 'These heavy sands are language tide and wind have silted here': Tidal Voicing and the Poetics of Home in James Joyce's Ulysses

This agenda-setting volume of essays interrogates the crossing of gendered voice that occurs in literature and theatre from the 1850s to the present. It investigates male writers' use of female voices and female writers' use of male voices, examining where, how and why such gendered crossings occur and what connections may be found between these crossings and specific psychological, social, historical and political contexts as well as the particular aesthetic ends of individual authors. It establishes new ground in the critical analysis of the way gender switching, transforming or morphing is mobilized in literature and theatre to create and recreate identities which challenge established binaries and boundaries. Featuring essays discussing writers such as Angela Carter, Jeffrey Eugenides, Sarah Waters, James Joyce and Samuel Beckett, the collection provides new impetus for further theoretical explorations of the role of the voice and its gendered construction and transformation within literary and gender studies.

ISBN: 9781137020758 (electronic bk.)

Standard No.: 9786613657428

Source: 365742MILSubjects--Topical Terms:

565428
Gender identity in literature.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN56.G45 / C76 2012

Dewey Class. No.: 820.93521

Cross-gendered literary voices = appropriating, resisting, embracing /
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505 0 $a Cover; Contents; Acknowledgements; Notes on Contributors; Introduction: Cross-Gendered Literary Voices; Part I: Empowering or Effacing The Victorian Other?; 1 Female Narrative Energy in the Writings of Dead White Males: Dickens, Collins and Freud; 2 'Everything depend[s] on the fashion of narration': Women Writing Women Writers in Short Stories of the Fin-de-Si{grave}ecle; Part II: Resisting and Embracing the Other via the Abject Entity; 3 'These heavy sands are language tide and wind have silted here': Tidal Voicing and the Poetics of Home in James Joyce's Ulysses
520 $a This agenda-setting volume of essays interrogates the crossing of gendered voice that occurs in literature and theatre from the 1850s to the present. It investigates male writers' use of female voices and female writers' use of male voices, examining where, how and why such gendered crossings occur and what connections may be found between these crossings and specific psychological, social, historical and political contexts as well as the particular aesthetic ends of individual authors. It establishes new ground in the critical analysis of the way gender switching, transforming or morphing is mobilized in literature and theatre to create and recreate identities which challenge established binaries and boundaries. Featuring essays discussing writers such as Angela Carter, Jeffrey Eugenides, Sarah Waters, James Joyce and Samuel Beckett, the collection provides new impetus for further theoretical explorations of the role of the voice and its gendered construction and transformation within literary and gender studies.
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