Motion pictures - History.

Sound theory, sound practice / by: (Language materials, printed)

A history of narrative film / by: (Language materials, printed)

The Titanic in myth and memory = representations in visual and literary culture / by: (Electronic resources)

The silent cinema reader / by: (Language materials, printed)

Cinemas of the world : = film and society from 1895 to the present / by: (Language materials, printed)

Film studies by: (Language materials, printed)

World cinema's 'dialogues' with Hollywood by: (Electronic resources)

Splendor in the short grass = the Grover Lewis reader / by: (Language materials, printed)

Trauma and cinema : = cross-cultural explorations / by: (Language materials, printed)

Trauma and cinema = cross-cultural explorations / by: (Electronic resources)

Cinematic perspectives on digital culture = consorting with the machine / by: (Electronic resources)

Critical visions in film theory : = classic and contemporary readings / by: (Language materials, printed)

A critique of judgment in film and television / by: (Electronic resources)

Marx at the movies = revisiting history, theory and practice / by: (Electronic resources)

Mediations of disruption in post-conflict cinema by: (Electronic resources)

Expressive spaces in digital 3D cinema by: (Electronic resources)

Tragic time in drama, film, and videogames = the future in the instant / by: (Electronic resources)

The cinema of attractions reloaded by: (Electronic resources)

The West in early cinema = after the beginning / by: (Electronic resources)

Rethinking genre in contemporary global cinema by: (Electronic resources)

The structure of complex images by: (Electronic resources)

Art cinema and neoliberalism by: (Electronic resources)

Urban crime control in cinema = fallen guardians and the ideology of repression / by: (Electronic resources)

Transnational European cinema = representation, audiences, identity / by: (Electronic resources)

The Palgrave handbook of comparative new cinema histories by: (Electronic resources)

Film as a medium of seduction = introduction to the seduction-theory of film / by: (Electronic resources)

Realism, myth, and the vernacular in Pasolini's film and philosophy = beyond the middle-class matrix / by: (Electronic resources)

The Personal camera : = subjective cinema and the essay film / by: (Language materials, printed)

Comparative cinema = late and last things in literature and film / by: (Electronic resources)

Melodrama, self and nation in Post-War British popular film by: (Electronic resources)

From la strada to the hours = suffering and sovereign women in the movies / by: (Electronic resources)

The Great train robbery and other primary works by: (Projected and video material)

Experimentation and discovery by: (Projected and video material)

Gothic modernisms / by: (Language materials, printed)

The European pioneers by: (Projected and video material)

The magic of Melies by: (Projected and video material)

Comedy, spectacle and new horizons by: (Projected and video material)

Film writing and selected journalism / by: (Language materials, printed)

A2 film studies : = the essential introduction / by: (Language materials, printed)

The evolution of film : = rethinking film studies / by: (Language materials, printed)

Cinephilia = movies, love and memory / by: (Electronic resources)

Eye of the century : = film, experience, modernity / by: (Language materials, printed)

A history of narrative film / by: (Language materials, printed)

Early cinema : = space, frame, narrative / by: (Language materials, printed)

A history of the cinema : = from its origins to 1970 / by: (Language materials, printed)

A history of film / by: (Language materials, printed)

The Routledge companion to film history / by: (Language materials, printed)

The uses of phobia : = essays on literature and film / by: (Language materials, printed)

Journalists in film : = heroes and villains / by: (Language materials, printed)

Cinema / by: (Language materials, printed)

Storytelling in world cinemas by: (Electronic resources)

The modern supernatural and the beginnings of cinema by: (Electronic resources)

A brief history of comic book movies by: (Electronic resources)

The Oxford history of world cinema / by: (Language materials, printed)

Cecil B. DeMille, classical Hollywood, and modern American mass culture = 1910-1960 / by: (Electronic resources)

Visible and invisible whiteness = American white supremacy through the cinematic lens / by: (Electronic resources)

Audiovisions = cinema and television as entr'actes in history / by: (Electronic resources)

Childhood and cinema by: (Electronic resources)

The 100 best movies you've never seen by: (Electronic resources)

Slums on screen = world cinema and the planet of slums / by: (Electronic resources)

Endings in the cinema = thresholds, water and the beach / by: (Electronic resources)

The representation of economics in cinema = scarcity, greed and utopia / by: (Electronic resources)