Fiction.
Overview
| Works: | 324 works in 215 publications in 215 languages | |
|---|---|---|
Titles
The dehumanization of art : = and other essays on art, culture, and literature /
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(Language materials, printed)
The house of the seven gables : = an authoritative text backgrounds and sources essays in criticism /
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(Language materials, printed)
The vicar of Wakefield : = a tale supposed to be written by himself /
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(Language materials, printed)
The humanistic heritage = critical theories of the English novel from James to Hillis Miller /
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(Language materials, printed)
Melville's muse = literary creation & the forms of philosophical fiction /
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(Language materials, printed)
The contemporary novel and the city : = re-conceiving national and narrative form /
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(Electronic resources)
Shakespeare and space = theatrical explorations of the spatial paradigm /
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(Electronic resources)
Nabokov and the question of morality = aesthetics, metaphysics, and the ethics of fiction /
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(Electronic resources)
Health and sickness in the early American novel = social affection and eighteenth-century medicine /
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(Electronic resources)
Utopias and dystopias in the fiction of H. G. Wells and William Morris = landscape and space /
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(Electronic resources)
Remapping the Indian postcolonial canon = remap, reimagine and retranslate /
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(Electronic resources)
The Cultural Memory of Africa in African American and Black British Fiction 1970-2000 = specters of the shore /
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(Electronic resources)
Playful memories = the autofictional turn in post-dictatorship Argentina /
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(Electronic resources)
The language of suspense in crime fiction = a linguistic stylistic approach /
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(Electronic resources)
British working-class writing for children = scholarship boys in the mid-twentieth century /
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(Electronic resources)
After marriage in the long eighteenth century = literature, law and society /
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(Electronic resources)
Women's domestic activity in the romantic-period novel, 1770-1820 = dangerous occupations /
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(Electronic resources)
Translating war = literature and memory in France and Britain from the 1940s to the 1960s /
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(Electronic resources)
New light through old windows = exploring contemporary science through 12 classic science fiction tales /
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(Electronic resources)
Italian-Canadian narratives of return = analysing cultural translation in diasporic writing /
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(Electronic resources)
Queenship and the women of Westeros = female agency and advice in Game of Thrones and A Song of Ice and Fire /
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(Electronic resources)
British detective fiction 1891-1901 = the successors to Sherlock Holmes /
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(Electronic resources)
Tolkien as a literary artist = exploring rhetoric, language and style in the Lord of the rings /
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(Electronic resources)
Post-9/11 historical fiction and alternate history fiction = transnational and multidirectional memory /
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(Electronic resources)
Birds in eighteenth-century literature = reason, emotion, and ornithology, 1700-1840 /
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(Electronic resources)
The Palgrave handbook of twentieth and twenty-first century literature and science
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(Electronic resources)
What Reading Fiction can Do : = The Value of Literature in Challenging Deficit-based Understandings of Autistic People.
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(Electronic resources)
Lord arthur savile's crime and two other short stories = = Le crime de lord arthur savile et deux autres nouvelles /
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(Language materials, printed)
Reassessing the twentieth-century canon : = from Joseph Conrad to Zadie Smith /
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(Electronic resources)
Contemporary diasporic South Asian women's fiction = gender, narration and globalisation /
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(Electronic resources)
Thomas Hardy and Victorian communication = letters, telegrams and postal systems /
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(Electronic resources)
The Evolution of the French courtesan novel = from de Chabrillan to Colette /
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(Electronic resources)
Collective identity and cultural resistance in contemporary Chicana/o autobiography
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(Electronic resources)
Present-tense narration in contemporary fiction = a narratological overview /
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(Electronic resources)
Queering Agatha Christie = revisiting the golden age of detective fiction /
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(Electronic resources)
The seduction of fiction = a plea for putting emotions back into literary interpretation /
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(Electronic resources)
Utopia and dystopia in postwar Italian literature = Pasolini, Calvino, Sanguineti, Volponi /
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(Electronic resources)
Proust, music, and meaning = theories and practices of listening in the Recherche /
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(Electronic resources)
The varieties of authorial intention = literary theory beyond the intentional fallacy /
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(Electronic resources)
Alternating narratives in fiction for young readers = twice upon a time /
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(Electronic resources)
Narrating the global financial crisis = urban imaginaries and the politics of myth /
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(Electronic resources)
Fashion, dress and identity in South Asian diaspora narratives = from the eighteenth century century to Monica Ali /
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(Electronic resources)
Sleep and the novel = fictions of somnolence from Jane Austen to the present /
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(Electronic resources)
Reappearing characters in nineteenth-century French literature = authorship, originality, and intellectual property /
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(Electronic resources)
The labour of literature in Britain and France, 1830-1910 = authorial work ethics /
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(Electronic resources)
British and American representations of 9/11 = literature, politics and the media /
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(Electronic resources)
Inventing the gothic corpse = the thrill of human remains in the eighteenth-century novel /
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(Electronic resources)
British women's writing from Bronte to Bloomsbury.. Volume 1,. 1840s and 1850s
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(Electronic resources)
George Eliot for the twenty-first century = literature, philosophy, politics /
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(Electronic resources)
Contemporary fiction and science from Amis to McEwan = the third culture novel /
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(Electronic resources)
Representations of science in twenty-first-century fiction = human and temporal connectivities /
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(Electronic resources)
The affects, cognition, and politics of Samuel Beckett's postwar drama and fiction = revolutionary and evolutionary paradoxes /
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(Electronic resources)
The fictions of American capitalism = working fictions and the economic novel /
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(Electronic resources)
Amputation in literature and film = artificial limbs, prosthetic relations, and the semiotics of "loss" /
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British experimental women's fiction, 1945-1975 = slipping through the labels /
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The emergence of neuroscience and the German novel = poetics of the brain /
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(Electronic resources)
Literary legacies of the South African TRC = fictional journeys into trauma, truth, and reconciliation /
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(Electronic resources)
British women's writing from Bronte to Bloomsbury.. Volume 2,. 1860s and 1870s
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(Electronic resources)
Contemporary historical fiction, exceptionalism and community = after the wreck /
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(Electronic resources)
Traditions and difference in contemporary Irish short fiction = Ireland then and now /
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(Electronic resources)
The making of Barbara Pym = Oxford, the war years, and post-war austerity /
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(Electronic resources)
Raymond Chandler, romantic ideology, and the cultural politics of chivalry
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(Electronic resources)
Science fiction in translation = perspectives on the global theory and practice of translation /
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(Electronic resources)
Empire under the microscope = parasitology and the British literary imagination, 1885-1935 /
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(Electronic resources)
Making Room for Horror: The Adversity of Genre in the French Film Industry.
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(Electronic resources)
Chinese Avant-Garde Fiction in English Translation : = Contexts, Paratexts and Texts.
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(Electronic resources)
Where do you stop? : = the personal history, adventures, experiences & observations of Peter Leroy (continued) /
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(Language materials, printed)
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