東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Gender." ]

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

Melodrama, self and nation in Post-War British popular film

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Melodrama, self and nation in Post-War British popular film/ by Johanna Laitila.
作者:	Laitila, Johanna.
出版者:	Boca Raton, FL :Routledge, an imprint of Taylor and Francis, : 2018.,
面頁冊數:	1 online resource (206 p.) :8 illustrations.
內容註:	chapter 1 Introduction -- chapter 2 Amnesia and Awakening in Four Melodramas -- chapter 3 Post-War Imaginings of Time and Space -- chapter 4 Subjects, Signors, and Signoras: Naming and Interpellation -- chapter 5 Conclusions.
標題:	British Cinema. -
電子資源:	https://www.taylorfrancis.com/books/9781351056588
ISBN:	9781351056588 (electronic bk.)

Melodrama, self and nation in Post-War British popular film
Laitila, Johanna.

Melodrama, self and nation in Post-War British popular film[electronic resource] /by Johanna Laitila. - 1st ed. - Boca Raton, FL :Routledge, an imprint of Taylor and Francis,2018. - 1 online resource (206 p.) :8 illustrations. - Routledge advances in film studies. - Routledge advances in film studies..

chapter 1 Introduction -- chapter 2 Amnesia and Awakening in Four Melodramas -- chapter 3 Post-War Imaginings of Time and Space -- chapter 4 Subjects, Signors, and Signoras: Naming and Interpellation -- chapter 5 Conclusions.

This book investigates the portrayal of nationalities and sexualities in British post-Second World War crime film and melodrama. By focussing on these genres, and looking at the concept of melodrama as an analytical tool apt for theanalysis of both sexuality and nation, the book offers insight into the desires, fears, and anxieties of post-war culture. The problem of returning to 'normalcy after the war is one of the recurring themes discussed; alienation from society, family, and the self were central issues for both women and men in the post-war years, and the book examines the anxieties surrounding these social changes in the films of the period. In particular, it explores heterosexuality and nationality as some of the most prominent frameworks for the construction of identities in our time, structures that, for all their centrality, are made invisible in our culture.

ISBN: 9781351056588 (electronic bk.)Subjects--Topical Terms:

2195334
British Cinema.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1993.5.G7

Dewey Class. No.: 791.430941

Melodrama, self and nation in Post-War British popular film
LDR:01906nmm a2200253 a 4500 001 2339133
006 m d
007 cr nn muauu
008 240607s2018 fluab ob 001 0 eng d
020 $a 9781351056588 (electronic bk.)
020 $a 9781138482753 $q (hbk.)
035 $a (OCoLC)1034576689
035 $a 9781351056588
040 $a FlBoTFG $c FlBoTFG
041 0 $a eng
050 4 $a PN1993.5.G7
082 0 4 $a 791.430941 $2 23
100 1 $a Laitila, Johanna. $3 3675705
245 1 0 $a Melodrama, self and nation in Post-War British popular film $h [electronic resource] / $c by Johanna Laitila.
250 $a 1st ed.
260 $a Boca Raton, FL : $b Routledge, an imprint of Taylor and Francis, $c 2018.
300 $a 1 online resource (206 p.) : $b 8 illustrations.
490 1 $a Routledge advances in film studies
505 0 $a chapter 1 Introduction -- chapter 2 Amnesia and Awakening in Four Melodramas -- chapter 3 Post-War Imaginings of Time and Space -- chapter 4 Subjects, Signors, and Signoras: Naming and Interpellation -- chapter 5 Conclusions.
520 3 $a This book investigates the portrayal of nationalities and sexualities in British post-Second World War crime film and melodrama. By focussing on these genres, and looking at the concept of melodrama as an analytical tool apt for theanalysis of both sexuality and nation, the book offers insight into the desires, fears, and anxieties of post-war culture. The problem of returning to 'normalcy after the war is one of the recurring themes discussed; alienation from society, family, and the self were central issues for both women and men in the post-war years, and the book examines the anxieties surrounding these social changes in the films of the period. In particular, it explores heterosexuality and nationality as some of the most prominent frameworks for the construction of identities in our time, structures that, for all their centrality, are made invisible in our culture.
650 0 $a British Cinema. $3 2195334
650 0 $a Cultural Sexuality. $3 3675707
650 0 $a Film Genre. $3 3675708
650 0 $a Film genres. $3 607577
650 0 $a Film History. $3 2182157
650 0 $a Motion pictures $x History. $3 592918
650 0 $a Motion pictures $z Great Britain. $3 583740
650 0 $a Motion pictures. $3 527819
650 0 $a Sex in popular culture. $3 581296
650 0 $a Crime. $3 610156
650 0 $a Film Studies. $3 3538651
650 0 $a Gender. $3 2001319
650 0 $a Genre. $3 2191767
650 0 $a Memory. $3 522110
650 0 $a Nationality. $2 itrt. $3 774748
650 0 $a Post-War. $3 3675709
650 0 $a Queer Studies. $3 3383487
650 0 $a Sexuality. $3 816197
650 0 $a Theory. $3 2142529
650 0 $a Visual Culture. $3 3593302
655 4 $a Electronic books. $2 lcsh $3 542853
710 2 $a Taylor and Francis. $3 3391126
830 0 $a Routledge advances in film studies. $3 3675706
856 4 0 $u https://www.taylorfrancis.com/books/9781351056588