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Phenomenology and the arts = logos a...

Lau, Kwok-Ying.

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Phenomenology and the arts = logos and aisthesis /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Phenomenology and the arts/ edited by Kwok-Ying Lau, Thomas Nenon.
其他題名:	logos and aisthesis /
其他作者:	Lau, Kwok-Ying.
出版者:	Cham :Springer International Publishing : : 2020.,
面頁冊數:	viii, 223 p. :ill., digital ;24 cm.
內容註:	Part I. Phenomenological Approach to Art -- Chapter 1. Aesthetic Attitude and Phenomenological Attitude: From Zhu Guangqian to Husserl (Kwok-ying Lau) -- Chapter 2. An Husserlian Account of the Power of the Imaginary (Thomas Nenon) -- Chapter 3. Art and Experience: Reflections on Heidegger's 'Origin of the Work of Art' (Dermot Moran) -- Part II. Varieties of Artistic Experience -- Chapter 4. Aisthesis and Logos - One or Two? Two Kindred Poems by Qianlong Di and Goethe (Elmar Holenstein) -- Chapter 5. Seeing the Invisible: Kandinsky and the Multi-Dimensionality of Colors (Junichi Murata) -- Chapter 6. The Specificity of Medium: Painting and Thinking in Merleau-Ponty's Eye and Mind (Nicolas de Warren) -- Chapter 7. Theatre as a Scene of Otherness (Bernhard Waldenfels) -- Chapter 8. The Figuration of Time: Rhythm and Metaphor in Dramatic Language (Kwok-Kui Wong) -- Chapter 9. Emptiness and the Spiritual in Architecture (Jung-Sun Han Heuer) -- Chapter 10. Digital Technology, Urban Aesthetics, and Phenomenology (Jong-Kwan Lee) -- Chapter 11. Re-presenting Earthscape: Towards a Phenomenology of Aerial Photographic Art (Chan-Fai Cheung) -- Part III. Logic of Sensibility -- Chapter 12. How much Logos is there in Aisthesis? Aristotle's Phenomenology of Perception (Emmanuel Alloa) -- Chapter 13. Seeing and Touching: The Optic and the Haptic in Merleau-Ponty's Thought (Pierre Rodrigo) -- Chapter 14. Toward the Phenomenology of Aesthetic Instinct Developed through a Dialogue with F. Schiller (Nam-In Lee)
Contained By:	Springer eBooks
標題:	Phenomenology. -
電子資源:	https://doi.org/10.1007/978-3-030-30866-7
ISBN:	9783030308667

Phenomenology and the arts = logos and aisthesis /
Phenomenology and the artslogos and aisthesis /[electronic resource] :edited by Kwok-Ying Lau, Thomas Nenon. - Cham :Springer International Publishing :2020. - viii, 223 p. :ill., digital ;24 cm. - Contributions to phenomenology,v.1090923-9545 ;. - Contributions to phenomenology ;v.109..

Part I. Phenomenological Approach to Art -- Chapter 1. Aesthetic Attitude and Phenomenological Attitude: From Zhu Guangqian to Husserl (Kwok-ying Lau) -- Chapter 2. An Husserlian Account of the Power of the Imaginary (Thomas Nenon) -- Chapter 3. Art and Experience: Reflections on Heidegger's 'Origin of the Work of Art' (Dermot Moran) -- Part II. Varieties of Artistic Experience -- Chapter 4. Aisthesis and Logos - One or Two? Two Kindred Poems by Qianlong Di and Goethe (Elmar Holenstein) -- Chapter 5. Seeing the Invisible: Kandinsky and the Multi-Dimensionality of Colors (Junichi Murata) -- Chapter 6. The Specificity of Medium: Painting and Thinking in Merleau-Ponty's Eye and Mind (Nicolas de Warren) -- Chapter 7. Theatre as a Scene of Otherness (Bernhard Waldenfels) -- Chapter 8. The Figuration of Time: Rhythm and Metaphor in Dramatic Language (Kwok-Kui Wong) -- Chapter 9. Emptiness and the Spiritual in Architecture (Jung-Sun Han Heuer) -- Chapter 10. Digital Technology, Urban Aesthetics, and Phenomenology (Jong-Kwan Lee) -- Chapter 11. Re-presenting Earthscape: Towards a Phenomenology of Aerial Photographic Art (Chan-Fai Cheung) -- Part III. Logic of Sensibility -- Chapter 12. How much Logos is there in Aisthesis? Aristotle's Phenomenology of Perception (Emmanuel Alloa) -- Chapter 13. Seeing and Touching: The Optic and the Haptic in Merleau-Ponty's Thought (Pierre Rodrigo) -- Chapter 14. Toward the Phenomenology of Aesthetic Instinct Developed through a Dialogue with F. Schiller (Nam-In Lee)

This volume examines the great varieties of artistic experience from first hand phenomenological descriptions. It features detailed and concrete analyses which provides readers with in-depth insights into each specific domain of artistic experience. Coverage includes phenomenological elucidation of the aesthetic attitude, the power of imagination, and the logic of sensibility. The essays also detail concrete phenomenological analyses of aesthetic experiences in poetry, painting, photography, drama, architecture, and urban aesthetics. The book contains essays from "Logos and Aisthesis: Phenomenology and the Arts," an international conference held at the Chinese University of Hong Kong. It brings together a team of top scholars from both the East and the West and offers readers a global perspective on this interesting topic. These innovative, yet accessible, essays, will benefit students and researchers in philosophy, aesthetics, the arts, and the humanities. They will also be of interest to specialists in phenomenology.

ISBN: 9783030308667

Standard No.: 10.1007/978-3-030-30866-7doiSubjects--Topical Terms:

533816
Phenomenology.

LC Class. No.: B829.5 / .P446 2020

Dewey Class. No.: 142.7

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520 $a This volume examines the great varieties of artistic experience from first hand phenomenological descriptions. It features detailed and concrete analyses which provides readers with in-depth insights into each specific domain of artistic experience. Coverage includes phenomenological elucidation of the aesthetic attitude, the power of imagination, and the logic of sensibility. The essays also detail concrete phenomenological analyses of aesthetic experiences in poetry, painting, photography, drama, architecture, and urban aesthetics. The book contains essays from "Logos and Aisthesis: Phenomenology and the Arts," an international conference held at the Chinese University of Hong Kong. It brings together a team of top scholars from both the East and the West and offers readers a global perspective on this interesting topic. These innovative, yet accessible, essays, will benefit students and researchers in philosophy, aesthetics, the arts, and the humanities. They will also be of interest to specialists in phenomenology.
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