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Silent Renoir = philosophy and the i...

Davis, Colin.

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Silent Renoir = philosophy and the interpretation of early film /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Silent Renoir/ by Colin Davis.
其他題名:	philosophy and the interpretation of early film /
作者:	Davis, Colin.
出版者:	Cham :Springer International Publishing : : 2021.,
面頁冊數:	ix, 142 p. :ill., digital ;22 cm.
內容註:	1. Introduction: Renoir Goes to the Cinema -- Interpreting images -- 2. But is it Art?: Heidegger and the (Moving) Image -- 3. Philosophy and Film (Again): From Ontology to Hermeneutics -- 4. Reading and Overreading Film -- Silent Renoir -- 5. The Woman Who Wasn't There: Catherine Hessling -- 6. The Missing Real: La Fille de l'eau and La Petite Marchande d'allumettes -- 7. The Colonial Other: Sur un air de Charleston and Le Bled -- 8. Traces of War: Erasing Memory in Tire au flanc. -- 9. Conclusion.
Contained By:	Springer Nature eBook
標題:	Motion picture producers and directors - Biography. - France -
電子資源:	https://doi.org/10.1007/978-3-030-63027-0
ISBN:	9783030630270

Silent Renoir = philosophy and the interpretation of early film /
Davis, Colin.

Silent Renoirphilosophy and the interpretation of early film /[electronic resource] :by Colin Davis. - Cham :Springer International Publishing :2021. - ix, 142 p. :ill., digital ;22 cm.

1. Introduction: Renoir Goes to the Cinema -- Interpreting images -- 2. But is it Art?: Heidegger and the (Moving) Image -- 3. Philosophy and Film (Again): From Ontology to Hermeneutics -- 4. Reading and Overreading Film -- Silent Renoir -- 5. The Woman Who Wasn't There: Catherine Hessling -- 6. The Missing Real: La Fille de l'eau and La Petite Marchande d'allumettes -- 7. The Colonial Other: Sur un air de Charleston and Le Bled -- 8. Traces of War: Erasing Memory in Tire au flanc. -- 9. Conclusion.

Jean Renoir (1894-1979) is widely regarded as one of the most distinguished directors in the history of world cinema. In the 1930s he directed a string of films which stretched the formal, intellectual, political and aesthetic boundaries of the art form, including works such as Le Crime de Monsieur Lange, La Grande Illusion, La Bete humaine and La Regle du jeu. However, the great director's early work from the 1920s remains almost completely unknown, even to film specialists. If it is discussed at all, it is often seen to be of interest only insofar as it anticipates themes and techniques perfected in the later masterpieces. Renoir's films of the 1920s were sometimes unfinished, commercially unsuccessful, or unreleased at the time of their production. This book argues that to regard them merely as prefigurations of later achievements entails a failure to view them on their own terms, as searching, unsettled experiments in the meaning and potential of film art.

ISBN: 9783030630270

Standard No.: 10.1007/978-3-030-63027-0doiSubjects--Personal Names:

3491532
Renoir, Jean,
1894-1979--Criticism and interpretation.Subjects--Topical Terms:

3313956
Motion picture producers and directors
--France--Biography.

LC Class. No.: PN1998.3.R46 / D38 2021

Dewey Class. No.: 791.430233092

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505 0 $a 1. Introduction: Renoir Goes to the Cinema -- Interpreting images -- 2. But is it Art?: Heidegger and the (Moving) Image -- 3. Philosophy and Film (Again): From Ontology to Hermeneutics -- 4. Reading and Overreading Film -- Silent Renoir -- 5. The Woman Who Wasn't There: Catherine Hessling -- 6. The Missing Real: La Fille de l'eau and La Petite Marchande d'allumettes -- 7. The Colonial Other: Sur un air de Charleston and Le Bled -- 8. Traces of War: Erasing Memory in Tire au flanc. -- 9. Conclusion.
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