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Indonesian postcolonial theatre = sp...

Winet, Evan Darwin, (1971-)

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Indonesian postcolonial theatre = spectral genealogies and absent faces /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Indonesian postcolonial theatre/ Evan Darwin Winet.
Reminder of title:	spectral genealogies and absent faces /
Author:	Winet, Evan Darwin,
Published:	Basingstoke [England] ;Palgrave Macmillan, : 2010.,
Description:	xvi, 262 p. :ill.
[NT 15003449]:	-- List of Illustrations -- Series Editor's Preface -- Preface -- Introduction: colonial foundations and precessions of postcoloniality -- Unimaginable Communities: theatres of Eurasian and Chinese Batavia -- Sites of Disappearance: expatriate ghosts on ephemeral stages -- DespiteTheir Failings: spectres of foreign professionalism -- Hamlet and Caligula: echoes of a voice, unclear in origin-- Umat as Rakyat: performing Islam through veils of nationalism -- Teater Reformasi: the lingeringsmile of the absent father -- Conclusion: forgetting the monotonous nation -- Appendix. a timeline of'Indonesian' and 'Batavian' histories -- Notes -- Works Cited -- Index --.
Subject:	Theater and society - Indonesia. -
Subject:	Indonesien. -
Online resource:	http://link.springer.com/10.1057/9780230246676access to fulltext (Palgrave)
ISBN:	0230246672

Indonesian postcolonial theatre = spectral genealogies and absent faces /
Winet, Evan Darwin,1971-

Indonesian postcolonial theatrespectral genealogies and absent faces /[electronic resource] :Evan Darwin Winet. - Basingstoke [England] ;Palgrave Macmillan,2010. - xvi, 262 p. :ill. - Studies in international performance.

Includes bibliographical references and index.

-- List of Illustrations -- Series Editor's Preface -- Preface -- Introduction: colonial foundations and precessions of postcoloniality -- Unimaginable Communities: theatres of Eurasian and Chinese Batavia -- Sites of Disappearance: expatriate ghosts on ephemeral stages -- DespiteTheir Failings: spectres of foreign professionalism -- Hamlet and Caligula: echoes of a voice, unclear in origin-- Umat as Rakyat: performing Islam through veils of nationalism -- Teater Reformasi: the lingeringsmile of the absent father -- Conclusion: forgetting the monotonous nation -- Appendix. a timeline of'Indonesian' and 'Batavian' histories -- Notes -- Works Cited -- Index --.

Contemporary Indonesia is haunted by two millenia of migrations and inspirations from throughout Eurasia. However, the colonial administration in Batavia ultimately condensed the archipelago's heterogeneity into a distinction between Natives and the West, a distinction that has informed the national discourse ever since. Indonesia's modern theatre paradoxically uses its reliance on Western dramaturgies and theatrical traditions to transcend the parochialism of local ethnic performance traditions. However, it's authenticity as an indigenous tradition is consequently always in doubt. In the postcolonial metropole, theatre artists represent Indonesia vis?--vis spectres of an exogenous other. Indonesian Postcolonial Theatre explores genealogies of theatrical practice in colonial Bataviaand postcolonial Jakarta from a performance of Hamlet under siege in the warehouses of the Dutch East Indies Company to Ratna Sarumpaet's feminist Muslim Antigones. The book identifies structural, thematic and historiographical patterns linking the colonial to the postcolonial eras; patterns that often conflict with the prevailing historical narratives of the revolutionary nationalists and the Soeharto generation. The material investigated includes original and adapted dramatic repertoires and canons; genealogies of troupes and acting traditions;performance venues and spatial politics. Winet foregrounds the perspectives and debates of Indonesian practitioners and critics while framingthe overall project through a combination of performance studies and phenomenology.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230246672Subjects--Topical Terms:

1246697
Theater and society
--Indonesia.Subjects--Geographical Terms:

1246695
Indonesien.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN2904 / .W56 2010

Dewey Class. No.: 306.4/84809598

Indonesian postcolonial theatre = spectral genealogies and absent faces /
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300 $a xvi, 262 p. : $b ill.
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505 0 $a -- List of Illustrations -- Series Editor's Preface -- Preface -- Introduction: colonial foundations and precessions of postcoloniality -- Unimaginable Communities: theatres of Eurasian and Chinese Batavia -- Sites of Disappearance: expatriate ghosts on ephemeral stages -- DespiteTheir Failings: spectres of foreign professionalism -- Hamlet and Caligula: echoes of a voice, unclear in origin-- Umat as Rakyat: performing Islam through veils of nationalism -- Teater Reformasi: the lingeringsmile of the absent father -- Conclusion: forgetting the monotonous nation -- Appendix. a timeline of'Indonesian' and 'Batavian' histories -- Notes -- Works Cited -- Index --.
520 $a Contemporary Indonesia is haunted by two millenia of migrations and inspirations from throughout Eurasia. However, the colonial administration in Batavia ultimately condensed the archipelago's heterogeneity into a distinction between Natives and the West, a distinction that has informed the national discourse ever since. Indonesia's modern theatre paradoxically uses its reliance on Western dramaturgies and theatrical traditions to transcend the parochialism of local ethnic performance traditions. However, it's authenticity as an indigenous tradition is consequently always in doubt. In the postcolonial metropole, theatre artists represent Indonesia vis?--vis spectres of an exogenous other. Indonesian Postcolonial Theatre explores genealogies of theatrical practice in colonial Bataviaand postcolonial Jakarta from a performance of Hamlet under siege in the warehouses of the Dutch East Indies Company to Ratna Sarumpaet's feminist Muslim Antigones. The book identifies structural, thematic and historiographical patterns linking the colonial to the postcolonial eras; patterns that often conflict with the prevailing historical narratives of the revolutionary nationalists and the Soeharto generation. The material investigated includes original and adapted dramatic repertoires and canons; genealogies of troupes and acting traditions;performance venues and spatial politics. Winet foregrounds the perspectives and debates of Indonesian practitioners and critics while framingthe overall project through a combination of performance studies and phenomenology.
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