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Shakespeare and the institution of t...

Sheen, Erica.

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Shakespeare and the institution of theatre = the best in this kind /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Shakespeare and the institution of theatre/ Erica Sheen.
Reminder of title:	the best in this kind /
Author:	Sheen, Erica.
Published:	Basingstoke [England] ;Palgrave Macmillan, : 2009.,
Description:	viii, 172 p. ;23 cm.
[NT 15003449]:	The Institution of Theatre -- Nebuchadnezzar's Tree -- A Pleasure and a Profit -- Welcome to your Chamber -- Calling Fools into a Circle --The Only Men -- A Stranger to My Heart -- 'Tis Time.
Subject:	Theater - History - 16th century. - England -
Online resource:	http://link.springer.com/10.1057/9780230234529access to fulltext (Palgrave)
ISBN:	0230234526

Shakespeare and the institution of theatre = the best in this kind /
Sheen, Erica.

Shakespeare and the institution of theatrethe best in this kind /[electronic resource] :Erica Sheen. - Basingstoke [England] ;Palgrave Macmillan,2009. - viii, 172 p. ;23 cm. - Palgrave Shakespeare studies. - Palgrave Shakespeare studies..

Includes bibliographical references (p. 143-166) and index.

The Institution of Theatre -- Nebuchadnezzar's Tree -- A Pleasure and a Profit -- Welcome to your Chamber -- Calling Fools into a Circle --The Only Men -- A Stranger to My Heart -- 'Tis Time.

In this highly original book, Erica Sheen rethinks an approach that has been central to Shakespearean studies since the rise of New Historicism in the 1980s. Challenging the prevailing orthodoxy that the institutional form of early modern theatre was that of a market, she takes her starting point from sixteenth-century developments in the law of property, and offers innovative readings of Shakespeare's plays which demonstrate his adaptation of legal principles of ownership to the creativelabour by which his work, and that of the Chamberlain's Men, came to berecognised in their own timeas 'the best in this kind'. She extends this analysis to questions about the nature of dramatic action and spectatorship that are fundamental to our understanding of the distinctive quality of Shakespeare's work. This imaginative study will encourage itsreaders to change the way they think about hitherto familiar plays andcritical problems.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230234526Subjects--Personal Names:

523005
Shakespeare, William,
1564-1616--Criticism and interpretation.Subjects--Topical Terms:

600775
Theater
--History--England--16th century.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR2894 / .S443 2009

Dewey Class. No.: 822.33

Shakespeare and the institution of theatre = the best in this kind /
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020 $a 0230234526
020 $a 9780230234529
035 $a (OCoLC)449909350
035 $a ocn449909350
035 $a 911880
040 $a UKPGM $b eng $c UKPGM $d EBLCP
049 $a APTA
050 1 4 $a PR2894 $b .S443 2009
082 0 4 $a 822.33 $2 22
100 1 $a Sheen, Erica. $3 1099037
245 1 0 $a Shakespeare and the institution of theatre $h [electronic resource] : $b the best in this kind / $c Erica Sheen.
260 $a Basingstoke [England] ; $a New York : $c 2009. $b Palgrave Macmillan,
300 $a viii, 172 p. ; $c 23 cm.
490 1 $a Palgrave Shakespeare studies
504 $a Includes bibliographical references (p. 143-166) and index.
505 0 $a The Institution of Theatre -- Nebuchadnezzar's Tree -- A Pleasure and a Profit -- Welcome to your Chamber -- Calling Fools into a Circle --The Only Men -- A Stranger to My Heart -- 'Tis Time.
520 $a In this highly original book, Erica Sheen rethinks an approach that has been central to Shakespearean studies since the rise of New Historicism in the 1980s. Challenging the prevailing orthodoxy that the institutional form of early modern theatre was that of a market, she takes her starting point from sixteenth-century developments in the law of property, and offers innovative readings of Shakespeare's plays which demonstrate his adaptation of legal principles of ownership to the creativelabour by which his work, and that of the Chamberlain's Men, came to berecognised in their own timeas 'the best in this kind'. She extends this analysis to questions about the nature of dramatic action and spectatorship that are fundamental to our understanding of the distinctive quality of Shakespeare's work. This imaginative study will encourage itsreaders to change the way they think about hitherto familiar plays andcritical problems.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Oct. 6, 2009). $n Access may berestricted to users at subscribing institutions.
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Criticism and interpretation. $3 523005
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Stage history. $3 585203
650 0 $a Theater $z England $x History $y 16th century. $3 600775
650 0 $a Theater $z England $x History $y 17th century. $3 684901
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
830 0 $a Palgrave Shakespeare studies. $3 1099038
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230234529 $z access to fulltext (Palgrave)