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Shakespearean allusion in crime fict...
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Hopkins, Lisa.
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Shakespearean allusion in crime fiction = DCI Shakespeare /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Shakespearean allusion in crime fiction/ by Lisa Hopkins.
Reminder of title:
DCI Shakespeare /
Author:
Hopkins, Lisa.
Published:
London :Palgrave Macmillan UK : : 2016.,
Description:
vii, 204 p. :ill., digital ;24 cm.
[NT 15003449]:
Acknowledgements -- Introduction -- 1. Wild Justice: Mercy, Revenge and the Detective -- 2. Who Owns the Wood? Appropriating A Midsummer Night's Dream -- 3. Border Patrol: Shakespearean Allusions and Social and National Identities -- 4. Stealing Shakespeare: Detective Fiction and Cultural Value -- Conclusion -- Notes -- Bibliography -- Index.
Contained By:
Springer eBooks
Subject:
Detective and mystery stories, English. -
Online resource:
http://dx.doi.org/10.1057/978-1-137-53875-8
ISBN:
9781137538758
Shakespearean allusion in crime fiction = DCI Shakespeare /
Hopkins, Lisa.
Shakespearean allusion in crime fiction
DCI Shakespeare /[electronic resource] :by Lisa Hopkins. - London :Palgrave Macmillan UK :2016. - vii, 204 p. :ill., digital ;24 cm. - Palgrave Shakespeare studies. - Palgrave Shakespeare studies..
Acknowledgements -- Introduction -- 1. Wild Justice: Mercy, Revenge and the Detective -- 2. Who Owns the Wood? Appropriating A Midsummer Night's Dream -- 3. Border Patrol: Shakespearean Allusions and Social and National Identities -- 4. Stealing Shakespeare: Detective Fiction and Cultural Value -- Conclusion -- Notes -- Bibliography -- Index.
This book explores why crime fiction so often alludes to Shakespeare. It ranges widely over a variety of authors including classic golden age crime writers such as the four 'queens of crime' (Allingham, Christie, Marsh, Sayers), Nicholas Blake and Edmund Crispin, as well as more recent authors such as Reginald Hill, Kate Atkinson and Val McDermid. It also looks at the fondness for Shakespearean allusion in a number of television crime series, most notably Midsomer Murders, Inspector Morse and Lewis, and considers the special sub-genre of detective stories in which a lost Shakespeare play is found. It shows how Shakespeare facilitates discussions about what constitutes justice, what authorises the detective to track down the villain, who owns the countryside, national and social identities, and the question of how we measure cultural value.
ISBN: 9781137538758
Standard No.: 10.1057/978-1-137-53875-8doiSubjects--Personal Names:
574707
Shakespeare, William,
1564-1616--AdaptationsSubjects--Topical Terms:
598537
Detective and mystery stories, English.
LC Class. No.: PR1309.D4
Dewey Class. No.: 823.087208352
Shakespearean allusion in crime fiction = DCI Shakespeare /
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Acknowledgements -- Introduction -- 1. Wild Justice: Mercy, Revenge and the Detective -- 2. Who Owns the Wood? Appropriating A Midsummer Night's Dream -- 3. Border Patrol: Shakespearean Allusions and Social and National Identities -- 4. Stealing Shakespeare: Detective Fiction and Cultural Value -- Conclusion -- Notes -- Bibliography -- Index.
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This book explores why crime fiction so often alludes to Shakespeare. It ranges widely over a variety of authors including classic golden age crime writers such as the four 'queens of crime' (Allingham, Christie, Marsh, Sayers), Nicholas Blake and Edmund Crispin, as well as more recent authors such as Reginald Hill, Kate Atkinson and Val McDermid. It also looks at the fondness for Shakespearean allusion in a number of television crime series, most notably Midsomer Murders, Inspector Morse and Lewis, and considers the special sub-genre of detective stories in which a lost Shakespeare play is found. It shows how Shakespeare facilitates discussions about what constitutes justice, what authorises the detective to track down the villain, who owns the countryside, national and social identities, and the question of how we measure cultural value.
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Literature, Cultural and Media Studies (Springer-41173)
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EB PR1309.D4
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