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Cinema after fascism = the shattered...

Craig, Siobhan S., (1958-)

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Cinema after fascism = the shattered screen /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Cinema after fascism/ Siobhan S. Craig.
Reminder of title:	the shattered screen /
Author:	Craig, Siobhan S.,
Published:	New York :Palgrave Macmillan, : 2010.,
Description:	1 online resource (xii, 199 p.) :ill.
[NT 15003449]:	Introduction -- In the ruins of fascism -- The ghost in the rubble -- The web of spectacle -- The atomized subject -- The passion of Veronika Voss.
Subject:	Motion pictures - History - 20th century. - Europe -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9780230109742An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230109742 (electronic bk.)

Cinema after fascism = the shattered screen /
Craig, Siobhan S.,1958-

Cinema after fascismthe shattered screen /[electronic resource] :Siobhan S. Craig. - 1st ed. - New York :Palgrave Macmillan,2010. - 1 online resource (xii, 199 p.) :ill. - Studies in European culture and history. - Studies in European culture and history..

Includes bibliographical references and index.

Introduction -- In the ruins of fascism -- The ghost in the rubble -- The web of spectacle -- The atomized subject -- The passion of Veronika Voss.

Cinema After Fascism considers how postwar European films glance ambivalently backward from the postwar period to the fascist era and delves into issues of�gender certainties and spectatorship. In this period of film, familiar structures of epistemology and historiography reappear as ghostly imprints on postwar celluloid, and the remnants of fascist subjectivity walk the streets of postwar cities. Through new perspectives on the films of Roberto Rossellini, Billy Wilder, Carol Reed, Alain Resnais, and Marguerite Duras, this book examines the ways in which�filmmakers acknowledge the fascist past. Siobhan S. Craig reveals that the attempts to reconfigure the idioms of cinema are never fully naturalized and remain highly precarious constructions.

ISBN: 9780230109742 (electronic bk.)

Standard No.: 9786612992230

Source: 485761Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

1094176
Motion pictures
--History--Europe--20th century.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1993.5.E8 / C73 2010

Dewey Class. No.: 791.43094/09045

Cinema after fascism = the shattered screen /
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505 0 $a Introduction -- In the ruins of fascism -- The ghost in the rubble -- The web of spectacle -- The atomized subject -- The passion of Veronika Voss.
520 $a Cinema After Fascism considers how postwar European films glance ambivalently backward from the postwar period to the fascist era and delves into issues of�gender certainties and spectatorship. In this period of film, familiar structures of epistemology and historiography reappear as ghostly imprints on postwar celluloid, and the remnants of fascist subjectivity walk the streets of postwar cities. Through new perspectives on the films of Roberto Rossellini, Billy Wilder, Carol Reed, Alain Resnais, and Marguerite Duras, this book examines the ways in which�filmmakers acknowledge the fascist past. Siobhan S. Craig reveals that the attempts to reconfigure the idioms of cinema are never fully naturalized and remain highly precarious constructions.
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