東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

Orienting the Politics of Images: The Armenian Role in Orientalizing near Eastern Photography, 1850-1930.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Orienting the Politics of Images: The Armenian Role in Orientalizing near Eastern Photography, 1850-1930./
Author:	Galustian, Abelina.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
Description:	177 p.
Notes:	Source: Dissertations Abstracts International, Volume: 83-08, Section: A.
Contained By:	Dissertations Abstracts International83-08A.
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28862215
ISBN:	9798790634116

Orienting the Politics of Images: The Armenian Role in Orientalizing near Eastern Photography, 1850-1930.
Galustian, Abelina.

Orienting the Politics of Images: The Armenian Role in Orientalizing near Eastern Photography, 1850-1930. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 177 p.

Source: Dissertations Abstracts International, Volume: 83-08, Section: A.

Thesis (Ph.D.)--University of California, Santa Barbara, 2021.

This item must not be sold to any third party vendors.

The aim of this study is to show that Orientalism is produced by an intersection of multiple discourses, combining social, political, material and imaginative processes, and that the work of Armenian photographers, seen in proper perspective, represents not just another interesting manifestation of Orientalism, but a means with which to approach the entire issue of Orientalism anew and to amass the floating particles of untouched, yet flagrant information, towards a more satisfactory model for its understanding. Armenians, as outsiders within an Islamic world, were always outside the power structures of the communities within which they lived and worked (in this study, particularly Cairo, Jerusalem and Istanbul). Armenian photography studios, active in these major cities from the 1850s onwards, provided the images that undergirded the Orientalist production of European artists. A study of these photographers and photographs suggests the ways in which no simple binaries operated within the construction of Orientalism.

ISBN: 9798790634116Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Armenian photographers

Orienting the Politics of Images: The Armenian Role in Orientalizing near Eastern Photography, 1850-1930.
LDR:02202nmm a2200349 4500 001 2343744
005 20220512072146.5
008 241004s2021 ||||||||||||||||| ||eng d
020 $a 9798790634116
035 $a (MiAaPQ)AAI28862215
035 $a AAI28862215
040 $a MiAaPQ $c MiAaPQ
100 1 $a Galustian, Abelina. $3 3682392
245 1 0 $a Orienting the Politics of Images: The Armenian Role in Orientalizing near Eastern Photography, 1850-1930.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2021
300 $a 177 p.
500 $a Source: Dissertations Abstracts International, Volume: 83-08, Section: A.
500 $a Advisor: Williams, Robert;Robertson, Bruce.
502 $a Thesis (Ph.D.)--University of California, Santa Barbara, 2021.
506 $a This item must not be sold to any third party vendors.
520 $a The aim of this study is to show that Orientalism is produced by an intersection of multiple discourses, combining social, political, material and imaginative processes, and that the work of Armenian photographers, seen in proper perspective, represents not just another interesting manifestation of Orientalism, but a means with which to approach the entire issue of Orientalism anew and to amass the floating particles of untouched, yet flagrant information, towards a more satisfactory model for its understanding. Armenians, as outsiders within an Islamic world, were always outside the power structures of the communities within which they lived and worked (in this study, particularly Cairo, Jerusalem and Istanbul). Armenian photography studios, active in these major cities from the 1850s onwards, provided the images that undergirded the Orientalist production of European artists. A study of these photographers and photographs suggests the ways in which no simple binaries operated within the construction of Orientalism.
590 $a School code: 0035.
650 4 $a Art history. $3 2122701
650 4 $a Middle Eastern studies. $3 3168421
650 4 $a Middle Eastern history. $3 3168386
653 $a Armenian photographers
653 $a Orientalism
653 $a Near Eastern photography
690 $a 0377
690 $a 0555
690 $a 0333
710 2 $a University of California, Santa Barbara. $b History of Art and Architecture. $3 3438248
773 0 $t Dissertations Abstracts International $g 83-08A.
790 $a 0035
791 $a Ph.D.
792 $a 2021
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28862215