東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Departure acts: Anonymous authorship...

Drake, Scott.

FindBook

Google Book

Amazon

博客來

Departure acts: Anonymous authorship in the late twentieth century.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Departure acts: Anonymous authorship in the late twentieth century./
作者:	Drake, Scott.
面頁冊數:	280 p.
附註:	Source: Dissertation Abstracts International, Volume: 76-01(E), Section: A.
Contained By:	Dissertation Abstracts International76-01A(E).
標題:	American literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3674023
ISBN:	9781321247954

Departure acts: Anonymous authorship in the late twentieth century.
Drake, Scott.

Departure acts: Anonymous authorship in the late twentieth century. - 280 p.

Source: Dissertation Abstracts International, Volume: 76-01(E), Section: A.

Thesis (Ph.D.)--Simon Fraser University (Canada), 2011.

This item must not be sold to any third party vendors.

This dissertation explores mid to late twentieth century manifestations of anonymous authorship as both an aesthetic and material site that is co-existent with the textual issues of originality and ownership contained within their fiction. Working out of, among others, Michel Foucault's insights on the institutional function of authorship, Gilles Deleuze and Felix Guattari's notion of rhizomatic production and Pierre Bourdieu's understanding of the field of cultural production, I examine how self-reflexive anonymous authorship becomes a textual construction that must be read alongside the privatizing effects of copyright on textual production in the economic-juridical order of neoliberalism through a specific look at the relation between materiality and aesthetics in such figures as J.D. Salinger, Thomas Pynchon and Wu Ming. In so doing, I contend that the institutional function authorship reveals a provocative collusion of aesthetics, copyright and corporatization in the late twentieth century. Arguing that self-reflexive anonymous authorship--- in its emphasis on its own mediated status and dissembling---acts as a dissident form of cultural production in the economic-juridical order of neoliberalism.

ISBN: 9781321247954Subjects--Topical Terms:

523234
American literature.

Departure acts: Anonymous authorship in the late twentieth century.
LDR:02390nmm a2200313 4500 001 2059983
005 20150822105425.5
008 170521s2011 ||||||||||||||||| ||eng d
020 $a 9781321247954
035 $a (MiAaPQ)AAI3674023
035 $a AAI3674023
040 $a MiAaPQ $c MiAaPQ
100 1 $a Drake, Scott. $3 3174123
245 1 0 $a Departure acts: Anonymous authorship in the late twentieth century.
300 $a 280 p.
500 $a Source: Dissertation Abstracts International, Volume: 76-01(E), Section: A.
500 $a Adviser: Betty Schellenberg.
502 $a Thesis (Ph.D.)--Simon Fraser University (Canada), 2011.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a This dissertation explores mid to late twentieth century manifestations of anonymous authorship as both an aesthetic and material site that is co-existent with the textual issues of originality and ownership contained within their fiction. Working out of, among others, Michel Foucault's insights on the institutional function of authorship, Gilles Deleuze and Felix Guattari's notion of rhizomatic production and Pierre Bourdieu's understanding of the field of cultural production, I examine how self-reflexive anonymous authorship becomes a textual construction that must be read alongside the privatizing effects of copyright on textual production in the economic-juridical order of neoliberalism through a specific look at the relation between materiality and aesthetics in such figures as J.D. Salinger, Thomas Pynchon and Wu Ming. In so doing, I contend that the institutional function authorship reveals a provocative collusion of aesthetics, copyright and corporatization in the late twentieth century. Arguing that self-reflexive anonymous authorship--- in its emphasis on its own mediated status and dissembling---acts as a dissident form of cultural production in the economic-juridical order of neoliberalism.
520 $a Keywords: Twentieth Century American Fiction; Theories of Authorship; J.D. Salinger; Thomas Pynchon; Wu Ming; Luther Blissett.
590 $a School code: 0791.
650 4 $a American literature. $3 523234
650 4 $a English literature. $3 516356
690 $a 0591
690 $a 0593
710 2 $a Simon Fraser University (Canada). $3 1020621
773 0 $t Dissertation Abstracts International $g 76-01A(E).
790 $a 0791
791 $a Ph.D.
792 $a 2011
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3674023