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Drawers of Memory: A Living Therapy Facility for Those with Dementia.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Drawers of Memory: A Living Therapy Facility for Those with Dementia./
作者:
Shi, Ke.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2022,
面頁冊數:
94 p.
附註:
Source: Masters Abstracts International, Volume: 83-05.
Contained By:
Masters Abstracts International83-05.
標題:
Aging. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28545673
ISBN:
9798460499670
Drawers of Memory: A Living Therapy Facility for Those with Dementia.
Shi, Ke.
Drawers of Memory: A Living Therapy Facility for Those with Dementia.
- Ann Arbor : ProQuest Dissertations & Theses, 2022 - 94 p.
Source: Masters Abstracts International, Volume: 83-05.
Thesis (M.F.A.)--Pratt Institute, 2022.
This item must not be sold to any third party vendors.
According to research worldwide, there is an increasing number of older people with dementia every year. In 2012 approximately 35.5 million people were diagnosed with dementia, and by 2050 around 115 million people are assumed to be diagnosed with dementia (Prince and Jackson, 2012). Dementia patients are suffering from the same age-related health problems as other older people and meanwhile are challenged by certain physical, emotional, and cognitive declines that are progressive (Ebersole et al.,2004; van Hoof et al2010; Kenigsberg et al., 2015). However, dementia patients' physiological needs and psychological sufferings have been largely ignored from developing non-institutional interior designs. Therefore, creating a supportive, congruent, and caring interior environment for enhancing dementia patient's psychological and physiological health, so that they can live with dignity and social inclusion, is needed.The methods and focus for my thesis study on this topic also include research on perceived body-mind stimuli and aspects of memory therapies. I believe interior design for dementia conditions can be informed by this theoretical and medical vocabulary. Investing in visual, auditory, or olfactory memories is important when designing interiors in which users feel belonging. Calming and Brush (2002) and Kelly et al. (2002) argue that critical design aspects like safety and orientation cues can be improved if color is used wisely. Thus, bright colors and diverse but controlled materials are applied to where "therapy moments'' happen, and orientation cues are developed around the interweaving transitional spaces and invaginated thresholds, which are the major communal spaces to nourish and develop socializing and the living and therapy facility spatial self-identity.To frame the noninstitutional living treatment center as a place to stimulate a healing and nurturing experience, I selected to work inside of the No.8 building of Ningbo Book City, Ningbo, China, a contemporary hi-rise building of 16 floors. The existing old building on the site was built in 1934 and served as a flour factory. In 2007, the government purchased and extended the use to become a new culture center, linking it to one of the oldest libraries, later named the Ningbo Tianyige Museum built in 1561. The museum was built across the Feng Hua River near the site and this new building creates a conversation between the old and new, acting as a reminder of what should not be left behind. I selected to work in levels five through seven of the hi-rise, because the fifth floor includes a rooftop that I wanted to take advantage of, as part of the site.
ISBN: 9798460499670Subjects--Topical Terms:
543123
Aging.
Subjects--Index Terms:
Aging
Drawers of Memory: A Living Therapy Facility for Those with Dementia.
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According to research worldwide, there is an increasing number of older people with dementia every year. In 2012 approximately 35.5 million people were diagnosed with dementia, and by 2050 around 115 million people are assumed to be diagnosed with dementia (Prince and Jackson, 2012). Dementia patients are suffering from the same age-related health problems as other older people and meanwhile are challenged by certain physical, emotional, and cognitive declines that are progressive (Ebersole et al.,2004; van Hoof et al2010; Kenigsberg et al., 2015). However, dementia patients' physiological needs and psychological sufferings have been largely ignored from developing non-institutional interior designs. Therefore, creating a supportive, congruent, and caring interior environment for enhancing dementia patient's psychological and physiological health, so that they can live with dignity and social inclusion, is needed.The methods and focus for my thesis study on this topic also include research on perceived body-mind stimuli and aspects of memory therapies. I believe interior design for dementia conditions can be informed by this theoretical and medical vocabulary. Investing in visual, auditory, or olfactory memories is important when designing interiors in which users feel belonging. Calming and Brush (2002) and Kelly et al. (2002) argue that critical design aspects like safety and orientation cues can be improved if color is used wisely. Thus, bright colors and diverse but controlled materials are applied to where "therapy moments'' happen, and orientation cues are developed around the interweaving transitional spaces and invaginated thresholds, which are the major communal spaces to nourish and develop socializing and the living and therapy facility spatial self-identity.To frame the noninstitutional living treatment center as a place to stimulate a healing and nurturing experience, I selected to work inside of the No.8 building of Ningbo Book City, Ningbo, China, a contemporary hi-rise building of 16 floors. The existing old building on the site was built in 1934 and served as a flour factory. In 2007, the government purchased and extended the use to become a new culture center, linking it to one of the oldest libraries, later named the Ningbo Tianyige Museum built in 1561. The museum was built across the Feng Hua River near the site and this new building creates a conversation between the old and new, acting as a reminder of what should not be left behind. I selected to work in levels five through seven of the hi-rise, because the fifth floor includes a rooftop that I wanted to take advantage of, as part of the site.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28545673
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