東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

The Balladic Empire : = Nineteenth-Century Poetry, British Imperial Identity, and the Idea of the Ballad.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Balladic Empire :/
其他題名:	Nineteenth-Century Poetry, British Imperial Identity, and the Idea of the Ballad.
作者:	Schulz, John Arthur.
面頁冊數:	1 online resource (201 pages)
附註:	Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
Contained By:	Dissertations Abstracts International84-12A.
標題:	English literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30492079click for full text (PQDT)
ISBN:	9798379718091

The Balladic Empire : = Nineteenth-Century Poetry, British Imperial Identity, and the Idea of the Ballad.
Schulz, John Arthur.

The Balladic Empire :Nineteenth-Century Poetry, British Imperial Identity, and the Idea of the Ballad. - 1 online resource (201 pages)

Source: Dissertations Abstracts International, Volume: 84-12, Section: A.

Thesis (Ph.D.)--Princeton University, 2023.

Includes bibliographical references

The Balladic Empire offers a historicized understanding of how, after the eighteenth-century ballad revival, the genre's discursive instabilities-the uncertainty as to what a ballad was, is, or could be-became an idea of genre that both infused and shaped nineteenth-century poetry concerned with British imperial identity. Sometimes this poetry took the shape of the ballad, other times it evoked the idea of the ballad through other generic modes, such as epic or monodrama. Beginning with Britain's First Reform Bill (1832), The Balladic Empire touches down at key points of intensity for the British Empire throughout the Victorian era: the war scares with France in the 1840s, the Crimean War with Russia between 1855-59; the aftermath of the 1857 Indian Rebellion; and the renewed imperial crises with Russia over territory with Afghanistan in the 1870s and 1880s. During Britain's Reform Era, Thomas Babington Macaulay relied on two co-dependent, yet contradictory ideas of the ballad's historicity to mythologize British liberalism in both his historiographical theories and his enormously popular Lays of Ancient Rome (1842). During the imperial crises of the 1850s-80s, Poet-Laureate Alfred, Lord Tennyson used the mad pages of Maud (1855) to anxiously ruminate upon the ballad's galvanizing affects as both an irrecoverable and enduring resource for his own modern "songs to nerve a nation's heart," as he sought to hold an imperiled Empire together. In the wake of the 1857 Indian Rebellion, the British Indian subject and poet Toru Dutt evoked the ballad's legibility as epic in her Ancient Ballads and Legends of Hindustan (1882) to unsettle the Empire's primitivizing view of Indian civilization. The indeterminate idea of the ballad was a meta-generic language shared by poets looking to glorify, suture, and trouble British imperial identity, poets both metropolitan and global. Throughout its chapters, The Balladic Empire calls attention to the fragility of the British imperial enterprise, sheds light on the alternative worlds imagined by its subordinated cultures, and offers a historical poetics of an unstable, often incoherent genre, that alters our sense of the ballad's nationalistic work.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798379718091Subjects--Topical Terms:

516356
English literature.
Subjects--Index Terms:

BalladIndex Terms--Genre/Form:

542853
Electronic books.

The Balladic Empire : = Nineteenth-Century Poetry, British Imperial Identity, and the Idea of the Ballad.
LDR:03617nmm a2200397K 4500 001 2362092
005 20231027103231.5
006 m o d
007 cr mn ---uuuuu
008 241011s2023 xx obm 000 0 eng d
020 $a 9798379718091
035 $a (MiAaPQ)AAI30492079
035 $a AAI30492079
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Schulz, John Arthur. $3 3702795
245 1 4 $a The Balladic Empire : $b Nineteenth-Century Poetry, British Imperial Identity, and the Idea of the Ballad.
264 0 $c 2023
300 $a 1 online resource (201 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
500 $a Advisor: Martin, Meredith.
502 $a Thesis (Ph.D.)--Princeton University, 2023.
504 $a Includes bibliographical references
520 $a The Balladic Empire offers a historicized understanding of how, after the eighteenth-century ballad revival, the genre's discursive instabilities-the uncertainty as to what a ballad was, is, or could be-became an idea of genre that both infused and shaped nineteenth-century poetry concerned with British imperial identity. Sometimes this poetry took the shape of the ballad, other times it evoked the idea of the ballad through other generic modes, such as epic or monodrama. Beginning with Britain's First Reform Bill (1832), The Balladic Empire touches down at key points of intensity for the British Empire throughout the Victorian era: the war scares with France in the 1840s, the Crimean War with Russia between 1855-59; the aftermath of the 1857 Indian Rebellion; and the renewed imperial crises with Russia over territory with Afghanistan in the 1870s and 1880s. During Britain's Reform Era, Thomas Babington Macaulay relied on two co-dependent, yet contradictory ideas of the ballad's historicity to mythologize British liberalism in both his historiographical theories and his enormously popular Lays of Ancient Rome (1842). During the imperial crises of the 1850s-80s, Poet-Laureate Alfred, Lord Tennyson used the mad pages of Maud (1855) to anxiously ruminate upon the ballad's galvanizing affects as both an irrecoverable and enduring resource for his own modern "songs to nerve a nation's heart," as he sought to hold an imperiled Empire together. In the wake of the 1857 Indian Rebellion, the British Indian subject and poet Toru Dutt evoked the ballad's legibility as epic in her Ancient Ballads and Legends of Hindustan (1882) to unsettle the Empire's primitivizing view of Indian civilization. The indeterminate idea of the ballad was a meta-generic language shared by poets looking to glorify, suture, and trouble British imperial identity, poets both metropolitan and global. Throughout its chapters, The Balladic Empire calls attention to the fragility of the British imperial enterprise, sheds light on the alternative worlds imagined by its subordinated cultures, and offers a historical poetics of an unstable, often incoherent genre, that alters our sense of the ballad's nationalistic work.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a English literature. $3 516356
650 4 $a Literature. $3 537498
650 4 $a British & Irish literature. $3 3284317
653 $a Ballad
653 $a British imperialism
653 $a Literary history
653 $a Nationalism
653 $a Romantic poetry
653 $a Victorian poetry
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0593
690 $a 0401
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a Princeton University. $b English. $3 3173973
773 0 $t Dissertations Abstracts International $g 84-12A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30492079 $z click for full text (PQDT)