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The Power of the Popular: Examining Community Music Archives as Affective Tools for Equitable Archival Practice.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Power of the Popular: Examining Community Music Archives as Affective Tools for Equitable Archival Practice./
作者:
Mullen, Catherine.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2022,
面頁冊數:
340 p.
附註:
Source: Dissertations Abstracts International, Volume: 83-11, Section: A.
Contained By:
Dissertations Abstracts International83-11A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29163940
ISBN:
9798438788171
The Power of the Popular: Examining Community Music Archives as Affective Tools for Equitable Archival Practice.
Mullen, Catherine.
The Power of the Popular: Examining Community Music Archives as Affective Tools for Equitable Archival Practice.
- Ann Arbor : ProQuest Dissertations & Theses, 2022 - 340 p.
Source: Dissertations Abstracts International, Volume: 83-11, Section: A.
Thesis (Ph.D.)--Indiana University, 2022.
This item must not be sold to any third party vendors.
From British beat and punk to Madchester and Britpop, popular music crafts a distinct image of life in Manchester, England, tying community and individuals to place, sound, and physical objects. My dissertation focuses on how communities surrounding Manchester's music scene historicize and situate themselves within (and outside of) socio-political and geographic spaces through archiving initiatives. Larger traditional archives tend to document mainstream power and views, but community-based archives have the capacity to shine light on different components of society. My research is centered on this question of archival positioning, asking what forces influence communities to preserve ideas about particular histories and what kind of archival methods echo those driving forces.he focus of my work is a case study of Manchester Digital Music Archive (MDMArchive), one of the only community-based, volunteer-run, democratized, and crowdsourced popular music archives in the world. MDMArchive uses its digital platform and in-person programming to reveal underrecognized and minoritized stories of a city steeped in histories of industrialism and class, immigration, suffrage, and protest. Using ethnographic fieldwork - including participant-observation, extended interviews, and historically contextualizing archival work - combined with digital humanities website analysis, this project examines how MDMArchive operates alongside larger UK heritage schemes and utilizes methods of popular music preservation to encourage nonhierarchical community formation. In reaction to a push for applied methods and on-the-ground implications of research, ethnomusicological theory has increasingly emphasized community partnerships and proactive archival practice. Archival and popular music studies have also addressed how community-based and user-run archives possess activist and affective potentials. To analyze networks of archival creation and power, I draw on affect theory, which seeks to identify forces and intensities that create and influence culture and cultural import. This approach provides a method for identifying and mapping affective forces, revealing the positionality of community archives amongst webs of preservational and heritage practice. By highlighting the work of MDMArchive and identifying affective networks produced through its participatory creation, this research amplifies the potential of community music archives and emphasizes alternative methods of archiving for a more equitable and accessible cultural history.
ISBN: 9798438788171Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
Affect
The Power of the Popular: Examining Community Music Archives as Affective Tools for Equitable Archival Practice.
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From British beat and punk to Madchester and Britpop, popular music crafts a distinct image of life in Manchester, England, tying community and individuals to place, sound, and physical objects. My dissertation focuses on how communities surrounding Manchester's music scene historicize and situate themselves within (and outside of) socio-political and geographic spaces through archiving initiatives. Larger traditional archives tend to document mainstream power and views, but community-based archives have the capacity to shine light on different components of society. My research is centered on this question of archival positioning, asking what forces influence communities to preserve ideas about particular histories and what kind of archival methods echo those driving forces.he focus of my work is a case study of Manchester Digital Music Archive (MDMArchive), one of the only community-based, volunteer-run, democratized, and crowdsourced popular music archives in the world. MDMArchive uses its digital platform and in-person programming to reveal underrecognized and minoritized stories of a city steeped in histories of industrialism and class, immigration, suffrage, and protest. Using ethnographic fieldwork - including participant-observation, extended interviews, and historically contextualizing archival work - combined with digital humanities website analysis, this project examines how MDMArchive operates alongside larger UK heritage schemes and utilizes methods of popular music preservation to encourage nonhierarchical community formation. In reaction to a push for applied methods and on-the-ground implications of research, ethnomusicological theory has increasingly emphasized community partnerships and proactive archival practice. Archival and popular music studies have also addressed how community-based and user-run archives possess activist and affective potentials. To analyze networks of archival creation and power, I draw on affect theory, which seeks to identify forces and intensities that create and influence culture and cultural import. This approach provides a method for identifying and mapping affective forces, revealing the positionality of community archives amongst webs of preservational and heritage practice. By highlighting the work of MDMArchive and identifying affective networks produced through its participatory creation, this research amplifies the potential of community music archives and emphasizes alternative methods of archiving for a more equitable and accessible cultural history.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29163940
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