Race in literature.
Overview
Works: | 159 works in 36 publications in 36 languages |
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Titles
Dislocating the color line : = identity, hybridity, and singularity in African-American Literature /
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Deans and truants : = race and realism in African American literature /
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Black writers, white publishers : = marketplace politics in twentieth-century African American literature /
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Identifying marks : = race, gender, and the marked body in nineteenth-century America /
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The making of racial sentiment : = slavery and the birth of the frontier romance /
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Race, slavery, and liberalism in nineteenth-century American literature /
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Novel frames : = literature as guide to race, sex, and history in American culture /
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Genders, races, and religious cultures in modern American poetry, 1908-1934 /
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Master plots : = race and the founding of an American literature 1787-1845 /
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Feminist readings of Native American literature : = coming to voice /
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Black, white, and in color : = essays on American literature and culture /
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Heroism and the black intellectual = Ralph Ellison, politics, and Afro-American intellectual life /
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Cartographies of desire = captivity, race, and sex in the shaping of an American nation /
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Quiet as it's kept = shame, trauma, and race in the novels of Toni Morrison /
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Playing the races = ethnic caricature and American literary realism /
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Rewriting white = race, class, and cultural capital in nineteenth-century America /
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Unnatural selections = eugenics in American modernism and the Harlem Renaissance /
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Fleshing out America : = race, gender, and the politics of the body in American literature, 1833-1879
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Gender, race, and the writing of empire = public discourse and the Boer War /
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The color of sex = whiteness, heterosexuality, and the fictions of white supremacy /
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Playing the Races = Ethnic Caricature and American Literary Realism
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Modern primitives : = race and language in Gertrude Stein, Ernest Hemingway and Zora Neale Hurston /
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Contesting the past, reconstructing the nation = American literature and culture in the Gilded Age, 1876-1893 /
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Emancipating pragmatism = Emerson, jazz, and experimental writing /
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Mendel's theatre = heredity, eugenics, and early twentieth-century American drama /
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The South in Black and white : = race, sex, and literature in the 1940s /
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Bulldaggers, pansies, and chocolate babies = performance, race, and sexuality in the Harlem Renaissance /
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Romances of the white man's burden = race, empire, and the plantationin American literature, 1880-1936 /
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X-Men and the Mutant Metaphor : = race and gender in the comic books /
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Sapphic primitivism : = productions of race, class, and sexuality in key works of modern fiction /
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Ethnicity and gender debates = cross-readings of American literature and culture in the new millennium /
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Chaucer and Becket's mother : = The man of law's tale, conversion, and race in the Middle Ages /
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Whiteness and trauma : = the mother-daughter knot in the fiction of Jean Rhys, Jamaica Kincaid, and Toni Morrison /
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The genuine article : = race, mass culture, and American literary manhood /
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The identifying fictions of Toni Morrison : = modernist authenticity and postmodern blackness /
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Black and white women's travel narratives : = antebellum explorations /
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Negotiating difference : = race, gender, and the politics of positionality /
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Out of place : = Englishness, empire, and the locations of identity /
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Female subjects in black and white : = race, psychoanalysis, feminism /
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Envisioning Africa : = racism and imperialism in Conrad's Heart of darkness /
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Dirt and desire : = reconstructing southern women's writing, 1930-1990 /
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Postcolonial theory and the United States : = race, ethnicity, and literature /
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Crossing the line : = racial passing in twentieth-century U.S. literature and culture /
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America's Asia : = racial form and American literature, 1893-1945 /
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Scarring the Black body : = race and representation in African American literature /
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Outsider citizens : = the remaking of postwar identity in Wright, Beauvoir, and Baldwin /
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To make a new race = Gurdjieff, Toomer, and the Harlem Renaissance /
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Resistance and reformation in nineteenth-century African-American literature = Brown, Wilson, Jacobs, Delany, Douglass, and Harper /
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Novel frames = literature as guide to race, sex, and history in American culture /
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Performing Asian America = race and ethnicity on the contemporary stage /
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Crossing the line = racial passing in twentieth-century U.S. literature and culture /
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Nationalism, Marxism, and African American literature between the wars = a new Pandora's box /
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Coloring locals = racial formation in Kate Chopin's Youth's companion stories /
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Scarring the Black body = race and representation in African American literature /
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Masculinist impulses = Toomer, Hurston, Black writing, and modernity /
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The "tragic mulatta" revisited = race and nationalism in nineteenth-century antislavery fiction /
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Race, rape, and lynching = the red record of American literature, 1890-1912 /
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Designs of Blackness = mappings in the literature and culture of Afro-America /
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The real negro = the question of authenticity in twentieth-century African American literature /
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American sensations = class, empire, and the production of popular culture /
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Out of place = Englishness, empire, and the locations of identity /
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The genuine article = race, mass culture, and American literary manhood /
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Listening to Old Woman speak : = natives and alternatives in Canadian literature /
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American narratives : = multiethnic writing in the age of realism /
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Rereading the Harlem renaissance = race, class, and gender in the fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West /
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Freedom's empire : = race and the rise of the novel in Atlantic modernity, 1640-1940 /
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Women and race in contemporary U.S. writing = from Faulkner to Morrison /
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Transnational Latina narratives in the twenty-first century = the politics of gender, race, and migrations /
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The dialect of modernism : = race, language, and twentieth-century literature /
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Racism on the Victorian stage : = representation of slavery and the black character
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The poetics of national and racial identity in nineteenth-century American literature
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The making of racial sentiment = slavery and the birth of the frontier romance /
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(Electronic resources)
Genders, races, and religious cultures in modern American poetry, 1908–1934
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(Electronic resources)
Performing Asian America : = race and ethnicity on the contemporary stage /
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Positioning gender and race in (post)colonial plantation space = connecting Ireland and the Caribbean /
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A world among these islands = essays on literature, race, and national identity in Antillean America /
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Representing segregation = toward an aesthetics of living Jim Crow, and other forms of racial division /
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Shadowing the white man's burden = U.S. imperialism and the problem of the color line /
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This is all I choose to tell = history and hybridity in Vietnamese American literature /
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Abandoning the Black hero = sympathy and privacy in the postwar African American white-life novel /
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Transatlantic spectacles of race = the tragic mulatta and the tragic muse /
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Coloniality of diasporas = rethinking intra-colonial migrations in a Pan-Caribbean context /
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The historian's Passing = reading Nella Larsen's classic novel as social and cultural history /
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Embodying difference = critical phenomenology and narratives of disability, race, and sexuality /
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Drama trauma : = specters of race & sexuality in performance, video & art /
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Things of darkness : = economies of race and gender in early modern England /
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Imperfect unions : = staging miscegenation in U.S. drama and fiction /
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